000 | 03303cam a2200457 i 4500 | ||
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001 | ocn842262346 | ||
003 | OCoLC | ||
005 | 20240726105354.0 | ||
008 | 200424s2012 ilu ob 001 0 eng | ||
010 | _a2019716438 | ||
040 |
_aDLC _beng _erda _cDLC _dJSTOR _dCDX _dYDXCP _dE7B _dDKDLA _dP@U _dCOO _dOCLCF _dIDEBK _dEBLCP _dAZK _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dIOG _dU3W _dBUF _dEZ9 _dSTF _dWRM _dVTS _dICG _dINT _dNRAMU _dVT2 _dLVT _dYOU _dWYU _dTKN _dDKC _dM8D _dAU@ _dKCP _dNT |
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016 | 7 |
_a016163923 _2Uk |
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020 |
_a9780252094163 _q((electronic)l(electronic)ctronic) |
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020 | _a9781283608992 | ||
042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 0 |
_aML410 _b.C475 2012 |
049 | _aMAIN | ||
100 | 1 |
_aHicks, Michael, _d1956- _e1 |
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245 | 1 | 0 | _aChristian Wolff /Michael Hicks and Christian Asplund. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2012. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aAmerican composers | |
504 | _a2 | ||
505 | 0 | 0 |
_aCover -- _tTitle Page -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tIntroduction -- _t1. Orpheus in Tennis Sneakers -- _t2. Situations of Too Extreme Difficulty: 1951-1959 -- _t3. Vast, Sparse Areas of Possibility: 1960-1969 -- _t4. Let Playing Be Composition and Composition Playing: 1969-1974 -- _t5. Something More Specifically Musical: 1973-1984 -- _t6. Not to Do Something I've Already Done: 1982-1999 -- _t7. Among Friends, in a Private World -- _tNOTES -- _tFOR FURTHER READING -- _tRECORDINGS -- _tINDEX |
520 | 0 | _aIn this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. _x000B__x000B_Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond._x000B_ | |
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_a2 _ub |
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600 | 1 | 0 |
_aWolff, Christian, _d1934- |
650 | 0 |
_aComposers _zUnited States _vBiography. |
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650 | 0 |
_aAvant-garde (Music) _zUnited States _xHistory _y20th century. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aAsplund, Christian, _d1964- |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569538&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hML. _m2012 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c98186 _d98186 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |