000			03304cam a2200409 i 4500
001			ocn785785360
003			OCoLC
005			20240726105354.0
008			200507s2012 ilu obq s001 0 eng
010			_a2019716501
040			_aDLC _beng _erda _cDLC _dYDXCP _dCDX _dDKDLA _dNT _dJSTOR _dOCLCF _dP@U _dNLGGC _dIDEBK _dDEBSZ _dCOO _dAZK _dCNNLC _dINTCL _dCOCUF _dAGLDB _dMOR _dPIFAG _dJBG _dIOG _dU3W _dAU@ _dEBLCP _dDEBBG _dZCU _dMERUC _dQGJ _dSTF _dWRM _dVTS _dINT _dEZ9 _dVT2 _dWYU _dLVT _dYOU _dA6Q _dDKC _dYDX _dREC _dM8D _dKCP _dUKCRE _dE7B
020			_a9780252093722 _q((electronic)l(electronic)ctronic)-book
020			_a9780252093692
042			_apcc
043			_ae-fr---
050	0	0	_aPN1998 _b.J337 2012
049			_aMAIN
100	1		_aWiles, Mary M. _e1
245	1	0	_aJacques Rivette /Mary M. Wiles.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aContemporary film directors
504			_a2
504			_aIncludes filmography.
505	0	0	_t-- _tMoving Backstage: The Films Of Jacques Rivette -- _tApprentice Years: Aux quatre coins, Le quadrille, Le divertissement, and Le coup du berger -- _tFrom Shakespeare to Sartre: Paris nous appartient -- _tFrom the Literary Text to the Tableau: La religieuse, Hurlevent, La belle noiseuse, and La belle noiseuse: Divertimento -- _tRevolution in Realism, Reflexivity, and Oneiric Reverie: Jean Renoir le patron, L'amour fou, Out 1: Noli me tangere, and Out 1: Spectre -- _tSounding Out the Operatic: Les filles du feu (Duelle and Noroit), Merry-Go-Round, and Le Pont du Nord -- _tReenvisioning Genres: Haut bas fragile, Jeanne la pucelle, Secret defense, and Va savoir -- _tOccult Theatricality: Celine et Julie vont en bateau -- _tPhantom Ladies Over Paris, L'amour par terre, La bande des quatre, Histoire de Marie et Julien -- _tReturning, Departing: Ne touchez pas la hache and 36 vues du Pic Saint-Loup -- _tInterview / _rJacques Rivette.
520	8		_aAs a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including "Paris nous appartient", "Out 1: Noli me tangere", "Celine et Julie vont en bateau - Phantom Ladies Over Paris", "La belle noiseuse", "Secret defense", and "Va savoir" are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing onthe theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance.
530			_a2 _ub
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569536&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98185 _d98185
902			_a1 _bCynthia Snell _c1 _dCynthia Snell