000			02995cam a2200385 i 4500
001			ocn817540261
003			OCoLC
005			20240726105353.0
008			110819s2012 ilua obq s001 0 eng
010			_a2019718118
040			_aDLC _beng _erda _cDLC _dYDXCP _dIDEBK _dE7B _dCOO _dDKDLA _dNT _dJSTOR _dP@U _dOCLCF _dTEFOD _dDEBSZ _dEBLCP _dAZK _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dJBG _dMERUC _dIOG _dZCU _dU3W _dBUF _dVTS _dICG _dINT _dSTF _dWRM _dNRAMU _dVT2 _dWYU _dLVT _dYOU _dTKN _dA6Q _dYDX _dDKC _dM8D _dKCP _dUKCRE _dCDX
016	7		_a015995329 _2Uk
020			_a9780252094040 _q((electronic)l(electronic)ctronic)
050	0	0	_aPN1998 _b.R534 2012
049			_aMAIN
100	1		_aJohnson, David T., _d1972- _e1
245	1	0	_aRichard Linklater /David T. Johnson.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aContemporary film directors
504			_a1, filmography and index.
505	0	0	_aTime is a lie -- _tSlowly moving trains, welcome to Austin, and l-i-v-i-n -- _tA brief encounter, the road to burnfield, and one hell of a way to make a living -- _tDreaming in digital, motel confessions, and the poet of Wall Street -- _tFor those about to rock, late afternoon in Paris, and remixing a little-league season -- _tLittle blue flowers and echoes from the slaughterhouse -- _tFields of play and waiting for Orson -- _tInterview with with Richard Linklater.
520	0		_aRichard Linklater's filmmaking choices seem to defy basic patterns of authorship. From his debut with the inventive independent narrative Slacker, the Austin-based director's divergent films have included the sci-fi noir A Scanner Darkly, the socially conscious Fast Food Nation, the kid-friendly The School of Rock, the nostalgia-soaked Dazed and Confused, and the twin romances Before Sunrise and Before Sunset. Yet throughout his varied career spanning two decades, Linklater has maintained a sense of integrity while working within a broad range of budgets, genres, and subject matters._x000B_Identifying a critical commonality among so much variation, David T. Johnson analyzes Linklater's preoccupation with the concept of time in many of his films, focusing on its many forms and aspects. Crucially filling a gap in critical studies of this American director, the volume concludes with an interview with Linklater discussing his career.
530			_a2 _ub
600	1	0	_aLinklater, Richard, _d1960- _xCriticism and interpretation.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569527&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98176 _d98176
902			_a1 _bCynthia Snell _c1 _dCynthia Snell