000			05075cam a2200433Mi 4500
001			ocn809032437
003			OCoLC
005			20240726105353.0
008			111107s2012 ilu ob s001 0 eng d
040			_aCDX _beng _erda _cCDX _dE7B _dYDXCP _dIDEBK _dOCLCO _dOCLCQ _dNT
020			_a9780252093661 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
029	1		_aAU@ _b000049050039
029	1		_aNZ1 _b14809721
050	1	4	_aPN1995 _b.G463 2012
049			_aNTA
245	1	0	_aGender meets genre in postwar cinemasedited by Christine Gledhill.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource (pages cm.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction / _rChristine Gledhill -- _tRefiguring genre and gender. The genius of genre and ingenuity of women / _rJane Gaines -- _tNo fixed address: the women's picture from outrage to blue steel / _rPam Cook -- _tCirculating emotion: race, gender, and genre in Crash / _rE. Deidre Pribram -- _t100% pure adrenaline: gender and generic surface in Point break / _rLuke Collins -- _tPostfeminism and generic re-inventions. Troubling genre/reconstructing gender / _rE. Ann Kaplan -- _tBodies and genres in transition: girlfight and real women have curves / _rYvonne Tasker -- _tPrivate femininity, public femininity: tactical aesthetics in the costume film / _rSamiha Matin -- _tGeneric gleaning: Agnès Varda, documentary, and the art of salvage / _rLucy Fischer -- _tGender aesthetics in "male" genres. It's a Mann's world? / _rAdam Segal -- _tUp close and personal: faces and names in Casualties of war / _rDeborah Thomas -- _tGender hyperbole and the uncanny in the horror film: The shining / _rKatie Model -- _tGenre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / _rIra Bhaskar -- _tWoman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / _rXiangyang Chen -- _tHomoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / _rVicente Rodriguez Ortega -- _tGeneric "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / _rDerek Kane-Meddock -- _tFemme fatale or lesbian femme: bound in sexual différance / _rChris Straayer -- _t"The gay cowboy movie": queer masculinity on Brokeback Mountain / _rSteven Cohan.
520	0		_aThis remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.
530			_a2 _ub
650		0	_aSex role in motion pictures.
650		0	_aMotion pictures and women.
650		0	_aFeminism and motion pictures.
650		0	_aFilm genres.
650		0	_aWomen in motion pictures.
650		0	_aMen in motion pictures.
655		1	_aElectronic Books.
700	1		_aGledhill, Christine.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569522&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c98171 _d98171
902			_a1 _bCynthia Snell _c1 _dCynthia Snell