000 | 03033cam a2200373 i 4500 | ||
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001 | ocn817540258 | ||
003 | OCoLC | ||
005 | 20240726105353.0 | ||
008 | 110819s2012 ilua obq 001 0 eng | ||
010 | _a2021700613 | ||
040 |
_aDLC _beng _epn _erda _cDLC _dYDXCP _dIDEBK _dE7B _dCOO _dDKDLA _dNT _dJSTOR _dP@U _dDEBSZ _dEBLCP _dAZK _dOCLCF _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dJBG _dMERUC _dIOG _dZCU _dU3W _dBUF _dEZ9 _dSTF _dWRM _dVNS _dVTS _dNRAMU _dICG _dINT _dVT2 _dWYU _dLVT _dYOU _dTKN _dA6Q _dDKC _dM8D _dKCP _dUKCRE _dAJS _dCDX |
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_a9780252093975 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 0 |
_aPN1998 _b.P455 2012 |
049 | _aMAIN | ||
100 | 1 |
_aInsdorf, Annette. _e1 |
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245 | 1 | 0 | _aPhilip Kaufman /Annette Insdorf. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2012. |
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300 | _a1 online resource (xi, 159 pages). | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aContemporary film directors | |
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505 | 0 | 0 |
_aAn eye for an "I". Sexual and artistic freedom -- _tMale relationships and codes of honor -- _tFallible perception and trust -- _tInterview with Philip Kaufman. |
520 | 0 | _aAmerican director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway and Gellhorn (premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen._x000B__x000B_In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works. | |
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_a2 _ub |
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600 | 1 | 0 |
_aKaufman, Philip, _d1936- _xCriticism and interpretation. |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569521&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN.. _mc2012 _QOL _R _x _8NFIC _2LOC |
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_c98170 _d98170 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |