000			02992cam a2200409 i 4500
001			on1157357948
003			OCoLC
005			20240726105353.0
008			110822s2012 ilu obq s001 0 eng
010			_a2019718847
040			_aDLC _beng _erda _cDLC _dAZU _dYDXCP _dE7B _dCOO _dDKDLA _dNT _dJSTOR _dP@U _dOCLCF _dCDX _dIDEBK _dDEBSZ _dEBLCP _dAZK _dAGLDB _dMOR _dPIFAG _dZCU _dJBG _dMERUC _dIOG _dU3W _dBUF _dEZ9 _dSTF _dWRM _dVTS _dCOCUF _dICG _dINT _dVT2 _dWYU _dLVT _dYOU _dTKN _dA6Q _dDKC _dM8D _dKCP _dOCLCO _dMM9 _dOCLCA
016	7		_a016019475 _2Uk
020			_a9781283583633
042			_apcc
050	0	0	_aPN1998 _b.K565 2012
049			_aMAIN
100	1		_aChung, Hye Seung, _d1971- _e1
245	1	0	_aKim Ki-duk /Hye Seung Chung.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aContemporary film directors
504			_a2
504			_aIncludes filmography.
505	0	0	_aBeyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- _tAn auteur is born: fishhooks, critical debates, and transnational canons -- _tOn suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- _tReconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- _tNeofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- _tThe bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- _tand spring -- _tInterview with Kim Ki-duk: from Crocodile to Address unknown / _rby Kim So-Hee.
520	8		_aThis study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
530			_a2 _ub
600	1	0	_aKim, Ki-dŏk, _d1960-2020 _xCriticism and interpretation.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569492&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c98141 _d98141
902			_a1 _bCynthia Snell _c1 _dCynthia Snell