000			03236cam a2200409Ii 4500
001			ocn854971704
003			OCoLC
005			20240726105352.0
008			130803s2013 enk ob 001 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dOCLCO _dNT
020			_a9781107055292 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
020			_a9781107058767 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aML275 _b.M875 2013
049			_aNTA
100	1		_aWilliams, Alastair. _e1
245	1	0	_aMusic in Germany since 1968Alastair Williams.
260			_aCambridge : _bCambridge University Press, _c(c)2013.
300			_a1 online resource (294 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusic Since 1900
505	0	0	_aCover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell
505	0	0	_aTanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- _tand instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation
505	0	0	_aRefusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index
520	0		_aAlastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.
504			_a2
530			_a2 _ub
650		4	_aMusic.
650		0	_aMusic _zGermany _y20th century _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569186&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c98094 _d98094
902			_a1 _bCynthia Snell _c1 _dCynthia Snell