000			01864cam a2200373Ii 4500
001			ocn841486719
003			OCoLC
005			20240726105352.0
008			130502s2013 enk ob 001 0deng d
040			_aCAMBR _beng _erda _cCAMBR _dYDXCP _dMHW _dNT
020			_a9781107055971 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
020			_a9781139519663 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aML410 _b.R583 2013
049			_aNTA
100	1		_aAspden, Suzanne. _e1
245	1	0	_aThe rival sirens _bperformance and identity on Handel's operatic stage / _cSuzanne Aspden.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c(c)2013.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aCambridge studies in opera series
504			_a2
505	0	0	_aThe character of the actress -- _t"Heroick virtue" in Rodelinda and Astianatte -- _tIdentification and illusion in Alessandro and Admeto -- _tBalancing power in Riccardo primo -- _tSenesino and the crisis of heroic masculinity -- _tThe ornamental voice.
520	0		_aThe Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.
530			_a2 _ub
650		0	_aOpera _y18th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569170&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c98086 _d98086
902			_a1 _bCynthia Snell _c1 _dCynthia Snell