000			02124cam a2200409Li 4500
001			ocn833574032
003			OCoLC
005			20240726105349.0
008			130329s2013 cau obq s001 0 eng d
040			_aYDXCP _beng _erda _cYDXCP _dEBLCP _dOCLCO _dNT
020			_a9780520954496 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aPN1995 _b.K555 2013
049			_aNTA
100	1		_aBenson-Allott, Caetlin Anne. _e1
245	1	0	_aKiller tapes and shattered screens _bvideo spectatorship from VHS to file sharing / _cCaetlin Benson-Allott.
260			_aBerkeley : _bUniversity of California Press, _c(c)2013.
300			_a1 online resource (pages cm)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: opening up to home video -- _tDistributing The dead: George A. Romero and the evolution of the video spectator -- _tAddressing the "new flesh": videodrome's format war -- _tReprotechnophobia: putting an end to analog abjection with the ring -- _tGoing, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship -- _tParanormal spectatorship: faux footage horror and the P2P spectator -- _tConclusion: power play.
530			_a2 _ub
650		0	_aTechnology in motion pictures.
650		0	_aCinematography _xTechnological innovations.
650		0	_aHorror films _xHistory and criticism.
650		0	_aMotion picture audiences.
650		0	_aVideo recordings _xProduction and direction _xData processing.
650		0	_aDigital video _xProduction and direction _xData processing.
650		0	_aVideo recordings industry.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=562938&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c97948 _d97948
902			_a1 _bCynthia Snell _c1 _dCynthia Snell