000			03267cam a2200457Ii 4500
001			ocn837366407
003			OCoLC
005			20240726105349.0
008			130409s2013 maua ob 001 0 eng d
010			_a2012034239
040			_aNT _beng _epn _erda _cNT _dYDXCP _dMEU _dIDEBK _dCDX _dE7B _dIEEEE _dOCLCQ _dCUS _dIUL _dOCLCA _dCOO _dOCLCQ _dEBLCP _dOCLCQ _dAZK _dMYG _dAGLDB _dMOR _dZ5A _dPIFPO _dMERUC _dESU _dOCLCQ _dZCU _dU3W _dOCLCF _dSTF _dWRM _dVTS _dNRAMU _dICG _dCUY _dVT2 _dOCLCQ _dMITPR _dYOU _dWYU _dOCLCQ _dLEAUB _dDKC _dOCLCQ _dUKAHL _dSFB
020			_a9780262313858 _q((electronic)l(electronic)ctronic)
020			_a9781299457744
050	0	4	_aB105 _b.M685 2013
049			_aMAIN
100	1		_aPortanova, Stamatia, _d1974- _e1
245	1	0	_aMoving without a body : _bdigital philosophy and choreographic thoughts / _cStamatia Portanova.
260			_aCambridge, Massachusetts : _bThe MIT Press, _c(c)2013.
300			_a1 online resource (x, 179 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aTechnologies of lived abstraction
504			_a2
505	0	0	_aIntroduction: thinking choreography digitally -- _tImag(in)ing the dance: choreo-nexus -- _tTo perceive is to abstract -- _tDigital abstractions: the intuitive logic of the cut -- _tRemembering the dance: mov-objects -- _tCan subjects be preserved? -- _tCan objects change? -- _tCan objects be processes? -- _tThinking the dance: compu-sitions -- _tNumbered dancers and software ballet -- _tWhen memory becomes creation -- _tA germ of conclusion: in abstraction.
520	0		_aDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think --
530			_a2 _ub
650		0	_aMovement (Philosophy)
650		0	_aHuman body (Philosophy)
650		0	_aChoreography _xPhilosophy.
650		0	_aComputer art _xPhilosophy.
653			_aDIGITAL HUMANITIES & NEW MEDIA/New Media Art
653			_aPHILOSOPHY/General
653			_aARTS/Performance Studies/Dance
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=562439&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hB. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c97943 _d97943
902			_a1 _bCynthia Snell _c1 _dCynthia Snell