000			03613cam a2200421Mi 4500
001			ocn821735705
005			20240726105347.0
008			110901s2012 nyu obd 000 0 eng
040			_aNz _beng _epn _erda _cUV0 _dOCLCO _dOCLCA _dNT _dOCLCA _dOCLCQ _dOCLCO _dORE _dOCLCF _dNLGGC _dYDXCP _dE7B _dDKDLA _dP@U _dEBLCP _dOCLCQ _dAZK _dAGLDB _dOCLCQ _dOCLCO
020			_a9781438442846 _q((electronic)l(electronic)ctronic)
029	0		_aNZ1 _b14695434
029	1		_aAU@ _b000053295098
029	1		_aDEBBG _bBV043133730
029	1		_aDEBBG _bBV044112819
029	1		_aDEBSZ _b421269219
029	1		_aDKDLA _b820120-katalog:000617142
041	1		_aeng _hchi
050	0	4	_aPL2661 _b.S536 2012
100	1		_aSukhu, Gopal. _e1
245	1	0	_aThe shaman and the heresiarch : _ba new interpretation of the Li sao / _cGopal Sukhu.
260			_aAlbany : _bState University of New York Press, _c(c)2012.
300			_a1 online resource (256 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aSuny series in Chinese philosophy and culture
520	0		_a"The first book-length study in English of the Chinese classic, the Li sao (Encountering Sorrow). Includes translations of Li sao and the Nine Songs. The Li sao (also known as Encountering Sorrow), attributed to the poet-statesman Qu Yuan (4th-3rd century BCE), is one of cornerstones of the Chinese poetic tradition. It has long been studied as China's first extended allegory in poetic form, yet most scholars agree that there is very little in the two-thousand-year-old tradition of commentary on it that convincingly explains its supernatural flights, its complex floral imagery, or the gender ambiguity of its primary poetic persona. The Shaman and the Heresiarch is the first book-length study of the Li sao in English, offering new translations of both the Li sao and the Nine Songs. The book traces the shortcomings of the earliest extant commentary on those texts, that of Wang Yi, back to the quasi-divinatory methods of the highly politicized tradition of Chinese classical hermeneutics in general, and the political machinations of a Han dynasty empress dowager in particular. It also offers an entirely new interpretation of the Li sao, one based not on Qu Yuan hagiography but on what late Warring States period artifacts and texts, including recently unearthed texts, teach us about the cultural context that produced the poem. In that light we see in the Li sao not only a reflection of the era of the great classical Chinese philosophers, but also the breakdown of the political-religious order of the ancient state of Chu."--Project Muse.
504			_a1
505	0	0	_aWang Yi and Han dynasty classical commentary -- _tWang Yi and the woman who commissioned the Chu ci zhangju -- _tThe intergendered shaman of the Li sao -- _tThe realm of Shaman Peng: Floral imagery in the Li sao -- _tThe "philosophy" of the Li sao, Part I -- _tThe "philosophy" of the Li sao, Part II -- _tShaman Xian's domain: the first and second journeys -- _tConclusion.
530			_a2 _ub
600	1	0	_aQu, Yuan, _dapproximately 343 B.C.-approximately 277 B.C --
650		0	_aShamanism in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=549571&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPL. _m(c)2012 _QOL _R _x _8NFIC _2LOC
999			_c97787 _d97787
902			_a1 _bCynthia Snell _c1 _dCynthia Snell