| 000 | 02646cam a2200397Mi 4500 | ||
|---|---|---|---|
| 001 | ocn723943616 | ||
| 003 | OCoLC | ||
| 005 | 20240726105341.0 | ||
| 008 | 110516s2009 wlk o 000 0 eng d | ||
| 040 |
_aEBLCP _beng _erda _cEBLCP _dOCLCQ _dYDXCP _dOCLCQ _dNT |
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| 020 |
_a9780708322628 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
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| 050 | 0 | 4 |
_aPR2976 _b.S535 2009 |
| 049 | _aNTA | ||
| 100 | 1 |
_aDesmet, Christy. _e1 |
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| 245 | 1 | 0 | _aShakespearean Gothic |
| 260 |
_aCardiff : _bUniversity of Wales Press, _c(c)2009. |
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| 300 | _a1 online resource (300 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 490 | 1 | _aGothic Literary Studies | |
| 504 | _a2 | ||
| 505 | 0 | 0 | _aAcknowledgements; List of Illustrations; List of Contributors; Introduction; Reading Walpole Reading Shakespeare; Ann Radcliffe, 'The Shakespeare of Romance Writers'; The Curse of Shakespeare; Shakespearean Shadows' Parodic Haunting of ThomasLove Peacock's Nightmare Abbey and Jane Austen'sNorthanger Abbey; Fatherly and Daughterly Pursuits:Mary Shelley's Matildaand Shakespeare's King Lear; Into the Madman's Dream: the Gothic Abduction ofRomeo and Juliet; Gothic Cordelias: the Afterlife of King Lear and theConstruction of Femininity; 'We are not safe':History, Fear and the Gothic inRichard III. |
| 505 | 0 | 0 | _aRemembering Ophelia: EllenTerry and theShakespearizing of Dracula'Rites of Memory': the Heart of Kenneth Branagh'sHamlet; Afterword: Shakespearean Gothic; Bibliography; Index. |
| 520 | 0 | _aThis book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. | |
| 530 |
_a2 _ub |
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| 650 | 4 | _aLiterature. | |
| 650 | 0 |
_aGothic literature _xHistory and criticism. |
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| 655 | 1 | _aElectronic Books. | |
| 700 | 1 | _aWilliams, Anne. | |
| 856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=544638&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 |
_cOB _D _eEB _hPR . _m2009 _QOL _R _x _8NFIC _2LOC |
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| 994 |
_a02 _bNT |
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| 999 |
_c97456 _d97456 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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