000 | 04196cam a2200481Ii 4500 | ||
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001 | ocn828868894 | ||
003 | OCoLC | ||
005 | 20240726105340.0 | ||
008 | 130304s2013 nyuaf ob 001 0 eng d | ||
040 |
_aNT _beng _epn _erda _cNT _dUAB _dOCLCO _dYDXCP _dIDEBK _dOCLCF _dLGG _dCUS _dCDX _dOCLCQ _dJBG _dOCLCQ _dWYU _dUKOUP _dBUF _dYOU _dOCLCQ _dSFB _dOCLCO |
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020 |
_a9780199875177 _q((electronic)l(electronic)ctronic) |
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020 |
_a9780199979271 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aBF311 _b.P467 2013 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aPeople watching : _bsocial perceptual, and neurophysiological studies of body perception / _cedited by Kerri L. Johnson, Maggie Shiffrar. |
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_aNew York : _bOxford University Press, _c(c)2013. |
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_a1 online resource (xi, 425 pages, 8 unnumbered pages of plates) : _billustrations (some color) |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aOxford series in visual cognition | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction -- _tMaking great strides : advances in research on the perception of the human body -- _tGunnar johansson, events, and biological motion -- _tPsychophysics -- _tTop-down versus bottom-up processing of biological motion -- _tSeeing you through me : creating self-other correspondences for body perception -- _tWhat does "biological motion" really mean? : differentiating visual percepts of human, animal, and non-biological motions -- _tShape-independent processing of biological motion -- _tAction perception from a common coding perspective -- _tDevelopment and individual differences -- _tDevelopmental origins of biological motion perception -- _tExperience and the perception of biological motion -- _tVariability in the visual perception of human motion as a function of the observer's autistic traits -- _tDevelopment of body motion processing in normalcy and pathology -- _tSocial perspectives -- _tPerson (mis)perception on the biased representation of the human body -- _tIt's the way you walk kinematic specification of vulnerability to attack -- _tCoordinating social beings in motion -- _tFunctionalism redux : how adaptive action constrains perception, simulation, and evolved intuitions -- _tNeurophysiology -- _tNeural mechanisms for action observation -- _tNeural mechanisms for biological motion and animacy -- _tThe how, when, and why of configural processing in the perception of human movement -- _tBrain mechanisms for social perception : moving towards an understanding of autism -- _tFrom body perception to action preparation : a distributed neural system for viewing bodily expressions of emotion -- _tSensory and motor brain areas subserving biological motion perception : neuropsychological and neuroimaging studies -- _tComputational mechanisms of the visual processing of action stimuli. |
520 | 8 | _aThe human body has long been a rich source of inspiration for the arts, and artists have long recognized the body's special status. While the scientific study of body perception also has an important history, recent technological advances have triggered an explosion of research on the visual perception of the human body in motion, or as it is traditionally called, biological motion perception. This book provides an integration of theory and findings that clarify how the human body is perceived by observers. | |
530 |
_a2 _ub |
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650 | 0 | _aPerception. | |
650 | 0 | _aBody image. | |
650 | 0 | _aNeurophysiology. | |
650 | 0 | _aVisual perception. | |
650 | 0 | _aSocial perception. | |
650 | 1 | 2 | _aVisual Perception |
650 | 2 | 2 | _aBody Image |
650 | 2 | 2 | _aSocial Perception |
650 | 2 | 2 |
_aNeurophysiology _xmethods |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aJohnson, Kerri L., _e5 |
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700 | 1 |
_aShiffrar, Maggie, _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=543424&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hBF _m(c)2013 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c97422 _d97422 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |