000			03960cam a2200421Mi 4500
001			ocn827207337
003			OCoLC
005			20240726105339.0
008			130211s2013 flu ob 001 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dOCLCQ _dYDXCP _dMEU _dNT _dP@U _dOCLCF _dOCLCO _dOCLCQ _dOCLCO _dDEBSZ _dOCLCO _dE7B _dIDEBK _dCDX _dCOO _dNLGGC _dOCLCO _dCLV _dOCLCO _dOCLCQ _dOCLCO _dOCL _dOCLCQ _dOCLCO _dOCLCQ
020			_a9780813045009 _q((electronic)l(electronic)ctronic)
043			_anwcu---
050	0	4	_aGV1785 _b.F476 2013
049			_aMAIN
100	1		_aSinger, Toba. _e1
245	1	0	_aFernando Alonso : _bthe father of Cuban ballet / _cToba Singer.
260			_aFlorida : _bUniversity Press of Florida, _c(c)2013.
300			_a1 online resource (264 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
505	0	0	_aCover; Contents; Prologue with Letter from Alicia Alonso; Acknowledgments; Part I. Antes (Before); 1. Always Ask Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. Alicia, Fernando, and Laura: Giant Steps across a Changing Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre; 5. Repertoire, Camaraderie, and an Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New York, and a Dawning in Havana; 8. Ballet Theatre, a University of Dance, and More . . .; 9. Ballet Alicia Alonso; 10. El Maestro de Maestros, the Father of Cuban Ballet.
505	0	0	_a11. Crafting a Curriculum, Sculpting a Style12. Legends and Lessons: Laura and Loipa; 13. A Revolutionary Proposal; 14. Batista's Blackmail Bid; 15. The Soviet Union Invites the Alonsos; Part II. Después (After); 16. Cuban Revolution Triumphs-and Invests in Ballet!; 17. Constructing Ballet Schools, Extending the Revolution; 18. International Recognition Abroad, at Home, on Film, and in Print; 19. Camagüey: The Center of Gravity Shifts; 20. Révérence; Part III. Recuerdos (Recollections); Introduction; Aurora Bosch; Carlos Acosta; Azari Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño.
505	0	0	_aTania VergaraMenia Martínez; René de Cárdenas; John White; Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna Feijóo and Nelson Madrigal; Donald Saddler; Grettel Morejón; Appendix A: Dance Magazine Interview; Appendix B: La danza eterna Interview; Appendix C: Address to the Assemblée Internationale, Toronto; Appendix D: Prizes Awarded to Cuban National Ballet Dancers, 1964-1974; Appendix E: Selected BNC-Commissioned Repertoire Works, 1959-1974; Appendix F: Elementary, Middle Ballet, and National Arts Schools; Appendix G: Proposal on Ballet.
505	0	0	_aAppendix H: Revolutionary Government Statute to Guarantee National Ballet and Law 812Chronology; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
520	0		_aWritten records of Alonso's work are scarce, yet Toba Singer's quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right.
504			_a2
530			_a2 _ub
650		0	_aBallet dancers _zCuba _vBiography.
650		4	_aAlonso, Fernando, 1914-
650		4	_aBallet dancers _zCuba.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=536915&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hGV . _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c97363 _d97363
902			_a1 _bCynthia Snell _c1 _dCynthia Snell