000			02871nam a2200373Ki 4500
001			ocn827947104
003			OCoLC
005			20240726105336.0
008			130218s2013 enk ob 001 0 eng d
040			_aNT _beng _erda _cNT
020			_a9781107314481 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
043			_ae-gx---
050	0	4	_aBH221 _b.F686 2013
049			_aNTA
100	1		_aBuchenau, Stefanie. _e1
245	1	0	_aThe founding of aesthetics in the German Enlightenment _bthe art of invention and the invention of art / _cStefanie Buchenau.
260			_aCambridge : _bCambridge University Press, _c(c)2013.
300			_a1 online resource (pages cm.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science"-- _cProvided by publisher.
504			_a2
505	0	0	_aMachine generated contents note: Introduction; 1. Wolff and the modern debate on a method of invention; 2. Wolff on the pleasure of invention; 3. Leibniz and Wolff on invention: hieroglyphs, images and poetry; 4. Poetry as revelation: Bodmer, Breitinger, Gottsched on the imitation of nature; 5. Invention, judgement, literary criticism; 6. The rhetorical shift: Baumgarten's founding of aesthetics in the Meditationes philosophicae; 7. Baumgarten's Aesthetica. Topics and the modern ars inveniendi; 8. Aesthetics and anthropology; 9. Aesthetics and ethics; 10. 'A general heuristic is impossible'. Kant and the Wolffian ars inveniendi; Conclusion.
530			_a2 _ub
650		0	_aAesthetics, German _y18th century.
650		0	_aEnlightenment _zGermany.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=529661&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hBH. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c97178 _d97178
902			_a1 _bCynthia Snell _c1 _dCynthia Snell