000 03133nam a2200397Ki 4500
001 ocn842262407
003 OCoLC
005 20240726105330.0
008 130509s2013 gau o s000 0 eng d
040 _aNT
_beng
_erda
_cNT
020 _a9780820345710
_q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
043 _an-us---
050 0 4 _aPS152
_b.F355 2013
049 _aNTA
100 1 _aKilcup, Karen L.
_e1
245 1 0 _aFallen forests
_bemotion, embodiment, and ethics in American women's environmental writing, 1781-1924 /
_cKaren L. Kilcup.
260 _aAthens and London :
_bUniversity of Georgia Press,
_c(c)2013.
300 _a1 online resource (pages cm.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
520 0 _a"In 1844, Lydia Sigourney asserted, "Man's warfare on the trees is terrible." Like Sigourney many American women of her day engaged with such issues as sustainability, resource wars, globalization, voluntary simplicity, Christian ecology, and environmental justice. Illuminating the foundations for contemporary women's environmental writing, Fallen Forests shows how their nineteenth-century predecessors marshaled powerful affective, ethical, and spiritual resources to chastise, educate, and motivate readers to engage in positive social change. Fallen Forests contributes to scholarship in American women's writing, ecofeminism, ecocriticism, and feminist rhetoric, expanding the literary, historical, and theoretical grounds for some of today's most pressing environmental debates. Karen L. Kilcup rejects prior critical emphases on sentimentalism to show how women writers have drawn on their literary emotional intelligence to raise readers' consciousness about social and environmental issues. She also critiques ecocriticism's idealizing tendency, which has elided women's complicity in agendas that depart from today's environmental orthodoxies. Unlike previous ecocritical works, Fallen Forests includes marginalized texts by African American, Native American, Mexican American, working-class, and non-Protestant women. Kilcup also enlarges ecocriticism's genre foundations, showing how Cherokee oratory, travel writing, slave narrative, diary, polemic, sketches, novels, poetry, and expose intervene in important environmental debates"--
_cProvided by publisher.
530 _a2
_ub
650 0 _aAmerican literature
_xWomen authors
_xHistory and criticism.
650 0 _aEnvironmental protection in literature.
650 0 _aNature conservation in literature.
650 0 _aEcology in literature.
650 0 _aNature in literature.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=516886&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPS
_m2013
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c96818
_d96818
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell