000			03101cam a2200397Mi 4500
001			on1088176668
003			OCoLC
005			20240726105328.0
008			130716s2013 quc ob 001 0 eng d
040			_aCOCUF _beng _erda _cCOCUF _dNLC _dIDEBK _dE7B _dNT _dCELBN _dCDX _dYDXCP _dOTZ _dJSTOR _dOCLCF _dCOO _dEBLCP _dCUS _dLOA _dAGLDB _dMOR _dPIFAG _dFVL _dMERUC _dZCU _dIOG _dNJR _dU3W _dYDX _dSTF _dWRM _dVTS _dCEF _dNRAMU _dEZ9 _dICG _dINT _dVT2 _dWYU _dYOU _dTKN
020			_a9780773588660
020			_a9780773541733
020			_a9781299708303
050	0	4	_aPN2091 _b.D736 2013
049			_aMAIN
100	1		_aOvadija, Mladen. _e1
245	1	0	_aDramaturgy of sound in the avant-garde and postdramatic theatre /Mladen Ovadija.
260			_aMontreal : _bMcGill-Queen's University Press, _c(c)2013.
300			_a1 online resource (vii, 252) p
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aThe Performativity of Voice and Sound in Theatre -- _tAvant-garde and Postmodern Conceptions of Aurality -- _tSound Poetry and Bruitist Performance: Words-in-Freedom -- _tZaum : From a "Beyonsense" Language to an Idiom of Theatre -- _tThe Dramaturgy of Sound: From Futurist Serate to Sintesi -- _tSound as Structure: Toward an Aural Architecture of Theatre -- _tThe Avant-garde Dramaturgy of Sound.
520	0		_aSound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer's voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
530			_a2 _ub
650		0	_aAvant-garde (Aesthetics)
650		0	_aExperimental theater _xHistory and criticism.
650		0	_aTheaters _xSound effects.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=515325&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c96712 _d96712
902			_a1 _bCynthia Snell _c1 _dCynthia Snell