000 02243cam a2200385Mi 4500
001 ocn808600367
003 OCoLC
005 20240726105326.0
008 120523s2009 enka fo 001 0 eng d
040 _aOTZ
_beng
_erda
_cOTZ
_dOCLCO
_dYDXCP
_dOCLCQ
_dE7B
_dCOO
_dNT
020 _a9781781702093
_q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
020 _a9781847792860
_q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
043 _ae-sp---
050 0 4 _aPN1998
_b.D365 2009
049 _aNTA
100 1 _aDavies, Ann,
_d1961-
_e1
245 1 0 _aDaniel CalparsoroAnn Davies.
260 _aManchester :
_bManchester University Press,
_c(c)2009.
300 _a1 online resource (200 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aSpanish and Latin American filmmakers
504 _a1, filmography and index.
520 8 _aThis monograph looks at one of Europe's most accomplished film directors, Daniel Calparsoro. It provides a major contribution to the Basque cultural debate as Calparsoro's work intersects with the ongoing discussions about Basque culture. It also contains some views on the analysis of Spanish 'cine social' and genre cinema.
505 0 0 _aPt. I. The context. Introduction --
_tNajwa Nimri: the interaction of director and star --
_tpart II. The films. Salto al vacío: opening up the void --
_tPasajes: pathways through nowhere --
_tA ciegas: the blind side of Basque terrorism --
_tAsfalto: violence à trois --
_tGuerreros: Spanish alienation in a foreign landscape --
_tAusentes: shining a light on horror --
_tConclusion.
530 _a2
_ub
600 1 0 _aCalparsoro, Daniel,
_d1968-
_xCriticism and interpretation.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=515044&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN..
_m2009
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c96604
_d96604
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell