000 02251cam a2200361Mi 4500
001 ocn818847223
003 OCoLC
005 20240726105326.0
008 121124s2007 enk o 000 0 eng d
040 _aEBLCP
_beng
_erda
_cEBLCP
_dOCLCO
_dOCLCQ
_dNT
020 _a9781847791757
_q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050 0 4 _aPR6061
_b.J364 2007
049 _aNTA
100 1 _aKovesi, Simon.
_e1
245 1 0 _aJames Kelman
260 _aManchester :
_bManchester University Press,
_c(c)2007.
300 _a1 online resource (225 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aContemporary British Novelists
504 _a2
505 0 0 _a9780719070969; 9780719070969; Copyright; Contents; Series editor's foreword; Acknowledgements; List of abbreviations; 1 Introduction; 2 The Busconductor Hines (1984); 3 A Chancer (1985); 5 How late it was, how late (1994); 6 Translated Accounts (2001) andYou Have to be Careful in the Land of the Free (2004); Select bibliography; Index.
520 0 _aJames Kelman is Scotland?s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration,?Booker Prize? culture and Glasgow?s controversial?City of Culture? status in 1990, Simon Kove.
530 _a2
_ub
600 1 0 _aKelman, James,
_d1946-
_xCriticism and interpretation.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=515009&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPR.
_m2007
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c96576
_d96576
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell