000 | 02869cam a2200421Mi 4500 | ||
---|---|---|---|
001 | ocn818847563 | ||
003 | OCoLC | ||
005 | 20240726105325.0 | ||
008 | 121124s2012 enk o 000 0 eng d | ||
040 |
_aEBLCP _beng _erda _cEBLCP _dOCLCQ _dNT |
||
020 |
_a9781847794482 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
||
050 | 0 | 4 |
_aPN1995 _b.W383 2012 |
049 | _aNTA | ||
100 | 1 |
_aAustin, Thomas. _e1 |
|
245 | 1 | 0 |
_aWatching the World _bScreen documentary and audiences. _c |
260 |
_aManchester : _bManchester University Press, _c(c)2012. |
||
300 | _a1 online resource (225 pages) | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _a2 | ||
505 | 0 | 0 | _aCopyright; Contents; Acknowledgements; Introduction; 1. Continuity and change:the documentary 'boom'; 2. Seeing, feeling, knowing: Etre et avoir; 3. 'Suspense, fright, emotion, happyending': documentary form and audience response to Touching the Void; 4. 'The most confusing tears': home video, sex crime and indeterminacy in Capturing the Friedmans; 5. Approaching the invisible centre:middle-class identity and documentary film; 6. 'Our planet reveals its secrets': wildlife documentaries on television; 7. Conclusion: documentary world views; Methodological appendix; Select bibliography; Index. |
520 | 0 | _aScreen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: fi. | |
530 |
_a2 _ub |
||
650 | 4 |
_aDocumentary films _zGreat Britain _xHistory and criticism. |
|
650 | 4 |
_aDocumentary films _zUnited States _xHistory and criticism. |
|
650 | 4 |
_aDocumentary television programs _zGreat Britain _xHistory and criticism. |
|
650 | 4 |
_aDocumentary television programs _zUnited States _xHistory and criticism. |
|
650 | 0 | _aDocumentary films. | |
650 | 0 | _aDocumentary television programs. | |
650 | 0 | _aAudiences. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=514948&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. A _m2012 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a02 _bNT |
||
999 |
_c96536 _d96536 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |