000			02878cam a2200433Mi 4500
001			ocn818847467
003			OCoLC
005			20240726105324.0
008			121124s2006 enk obq 001 0 eng d
010			_z2006285727
040			_aEBLCP _beng _epn _erda _cEBLCP _dOCLCO _dOCLCQ _dNT _dOCLCF _dOCLCQ _dOCLCO _dOTZ _dE7B _dCAUOI _dDKDLA _dCOO _dYDXCP _dJSTOR _dOCLCQ _dLOA _dUKOUP _dAGLDB _dMOR _dPIFAG _dMERUC _dOCLCQ _dIOG _dOCLCO _dZCU _dU3W _dEZ9 _dSTF _dWRM _dVTS _dNRAMU _dICG _dVT2 _dOCLCQ _dOCLCO _dWYU _dLVT _dLEAUB _dDKC _dOCLCQ _dM8D _dOCLCQ _dOCLCO _dU3G _dHS0 _dOCLCQ _dUKCRE _dVLY _dMM9 _dAJS _dOCLCQ _dBTN _dOCLCA
015			_aGBA604413 _2bnb
016	7		_a013354760 _2Uk
020			_a9781847794376 _q((electronic)l(electronic)ctronic)
020			_a9781781703267 _q((electronic)l(electronic)ctronic)
043			_ae-fr---
050	0	4	_aPN1998 _b.M387 2006
049			_aMAIN
100	1		_aWarehime, Marja. _e1
245	1	0	_aMaurice Pialat.
260			_aManchester : _bManchester University Press, _c(c)2006.
300			_a1 online resource (193 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aFrench Film Directors
505	0	0	_aCopyright; Contents; List of plates; Series editors' foreword; Acknowledgements; 1. Introduction: Maurice Pialat, the outsider; 2. Pialat and the Nouvelle Vague; 3. A family of works; 4. Family portraits I: Nous ne vieillironspas ensemble, La Gueule ouverte andPasse ton bac d'abord; 5. Family portraits II: Loulou, A nosamours and Police; 6. The saint and the artist: men apart; 7. Conclusion: paternity and Le Garçu; Filmography; Select bibliography; Index.
520	0		_aOne of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a.
504			_a1, filmography and index.
530			_a2 _ub
600	1	0	_aPialat, Maurice, _d1925-2003 _xCriticism and interpretation.
650		0	_aMotion pictures _zFrance.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=514888&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. W _m2006 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c96503 _d96503
902			_a1 _bCynthia Snell _c1 _dCynthia Snell