000 | 03233cam a2200445Mi 4500 | ||
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001 | ocn823387747 | ||
003 | OCoLC | ||
005 | 20240726105323.0 | ||
008 | 121227s2012 inu ob 001 0 eng d | ||
010 | _z2012028173 | ||
040 |
_aMHW _beng _epn _erda _cMHW _dYDXCP _dEBLCP _dOCLCQ _dNT _dOCLCA _dOCLCQ _dOCLCO _dCDX _dUPM _dIDEBK _dP@U _dE7B _dDKDLA _dCOO _dDEBSZ _dCN3GA _dJSTOR _dOCLCQ _dLOA _dAGLDB |
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_a9780253006561 _q((electronic)l(electronic)ctronic) |
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043 | _af-rh--- | ||
050 | 0 | 4 |
_aPN1993 _b.Z563 2012 |
049 | _aMAIN | ||
100 | 1 |
_aThompson, Katrina Daly, _d1975- _e1 |
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245 | 1 | 0 |
_aZimbabwe's cinematic arts : _blanguage, power, identity. _c |
260 |
_aBloomington, IN : _bIndiana University Press, _c(c)2012. |
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300 | _a1 online resource (253 pages) | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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520 | 0 | _aThis timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. As she explores questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. She offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity. | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction: Cultural identity in discourse -- _tA crisis of representation -- _tCinematic arts before the 2001 Broadcasting Services Act: two decades of trying to build a nation -- _tAuthorship and identities: what makes a film "local"? -- _tChanging the channel: using the foreign to critique the local -- _tPower, citizenship, and local content: a critical reading of the Broadcasting Services Act -- _tLanguage as a form of social change: public debate in local languages -- _tConclusion: Possibilities for democratic change. Broadcasting Services Act: two decades of trying to build a nation -- _tAuthorship and identities: what makes a film "local"? -- _tChanging the channel: using the foreign to critique the local -- _tPower, citizenship, and local content: a critical reading of the Broadcasting Services Act -- _tLanguage as a form of social change: public debate in local languages -- _tConclusion: Possibilities for democratic change. |
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_a2 _ub |
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610 | 1 | 0 |
_aZimbabwe -- _tBroadcasting Services Act. |
650 | 0 |
_aMotion pictures and television _xSocial aspects _zZimbabwe. |
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650 | 0 |
_aMass media and language _xPolitical aspects _zZimbabwe. |
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650 | 0 |
_aMotion picture industry _zZimbabwe _xForeign influences. |
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650 | 4 | _aZimbabwe. | |
650 | 4 |
_aZimbabwe _xSocial conditions _x1980- |
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650 | 4 | _aZimbabwe. Broadcasting Services Act. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=512512&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. . _m2012 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c96418 _d96418 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |