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001 ocn820719987
003 OCoLC
005 20240726105316.0
008 121210s2010 dcu ob 001 0 eng d
010 _z2010015209
040 _aNT
_beng
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020 _a9780813219264
_q((electronic)l(electronic)ctronic)
042 _adlr
043 _ae-fr---
050 0 4 _aPQ2627
_b.A384 2010
049 _aMAIN
100 1 _aBracher, Nathan,
_d1953-
_e1
245 1 0 _aAfter the fall :
_bwar and occupation in Irène Némirovsky's Suite française /
_cNathan Bracher.
260 _aWashington, D.C. :
_bCatholic University of America Press,
_c(c)2010.
300 _a1 online resource (xxiii, 268 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aIntroduction --
_tTimely representations --
_tNarrating the fall --
_tEpic suffering --
_tAccounting for disaster: tempête en juin and its contemporaries --
_tOccupational hazards --
_tPortraits of the Nazis as young men --
_tPrivate lives and public stories --
_tReaching the rendezvous with destiny.
520 0 _aIrène Némirovsky's war narrative, Suite franc̦aise, was discovered and published posthumously in 2004, more than sixty years after it was written. A Jewish Russian immigrant who had achieved literary stardom during the twenty years she lived in France, Némirovsky wrote her novel during the first years of the Occupation, before she was deported by the Nazis to Auschwitz, where she died in 1942. When published, the book produced an immediate international sensation and has since been translated into more than twenty-five languages. While giving rise to a certain amount of controversy, the novel has been widely acclaimed as a literary masterpiece providing a devastating portrayal of France's defeat and occupation. In this work, the first critical monograph on Suite franc̦aise, Nathan Bracher shows how, first amid the chaos and panic of the May-June 1940 debacle, and then within the unsettling new order of the German occupation, Némirovsky's novel casts a particularly revealing light on the behavior and attitudes of the French as well as on the highly problematic interaction of France's social classes. It offers valuable insights on a number of subjects (in particular, the civilian exodus, the relations of French women with German soldiers, and socio-economic conflicts under the Occupation) that, until now, have been too often neglected or misunderstood, while at the same time displaying a striking originality when compared to other discourses and narratives dating from the same period. Bracher dispels a number of misconceptions that have arisen when Suite franc̦aise has been assessed on the basis of biographical presumptions or with respect to current imperatives of the "duty to remember." Instead of viewing Suite franc̦aise as a source of information about the author or as a simple instrument of memory, we can best understand the novel, Bracher argues, as a specifically configured literary text whose voice can engage its readers in a critical dialogue with the dramatic era of the catastrophic fall of France and the ensuing Occupation. Contrary to certain polemical interpretations, Bracher shows that Némirovsky's searing novel not only makes a mockery of Vichy ideology but even adumbrates an ethic of resistance.
530 _a2
_ub
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2011
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
_5MiAaHDL
600 1 0 _aNémirovsky, Irène,
_d1903-1942 --
650 0 _aWorld War, 1939-1945
_zFrance
_xLiterature and the war.
650 0 _aWar in literature.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=500929&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPQ.
_m(c)2010
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c96031
_d96031
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell