000			04256nam a2200361Ki 4500
001			ocn820720021
003			OCoLC
005			20240726105316.0
008			121210s2003 dcua ob 001 0 eng d
040			_aNT _beng _erda _cNT
020			_a9780813218328 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
041	1		_aeng _hfre
050	0	4	_aML3082 _b.R478 2003
049			_aNTA
100	1		_aCombe, Pierre. _e1
245	1	0	_aThe restoration of Gregorian chant _bSolesmes and the Vatican edition / _cDom Pierre Combe, O.S.B., monk of Solesmes ; translated by Theodore N. Marier and William Skinner.
260			_aWashington, D.C. : _bCatholic University of America Press, _c(c)2003.
300			_a1 online resource (xxxii, 451 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	0		_aPublisher's description: This book presents for the first time in English the fully documented history of the Gregorian chant restoration which culminated in the publication of the Vatican Edition ordered by Pope Pius X at the dawn of the twentieth century. It is based upon archival documents in the Abbey of St. Pierre de Solesmes. The ecclesia orans, the Praying Church, has always regarded genuine church music as an integral part of prayer and of solemn public worship as a whole. Sacred music is not intended to beautify and decorate worship. Rather, taking shape from the depths of the Church's interior life, sacred music bears the imprint of that divine beauty which never grows old₇and which is far more sublime than all mere artistic or historical intentions. Gregorian chant, the Catholic Church's very own music, is proper to the Roman liturgy, but during the course of its long history it has experienced periods of ascendancy and of decline. A century ago, Pope Pius X called for a restoration of the sacred melodies, and the result was the Vatican Edition. This book describes in careful, vivid detail the strenuous efforts of personalities like Dom Joseph Pothier, Dom Andre Mocquereau, Fr. Angelo de Santi, and Peter Wagner to carry out the wishes of the Pope. The attentive reader will not fail to note that many of the questions so fervidly debated long ago are still current and topical today. The original French edition, Histoire de la restauration du chant grǧorien, was published by the Abbey of Solesmes in 1969. Robert A. Skeris's new introduction to this edition illuminates the current discussion with documentation including the Preface to the Vatican Gradual and the "Last Will and Testament" written by Dom Eugene Cardine. Dom Pierre Combe, O.S.B., (1913-1993) was a monk and archivist of the Abbey of Solesmes. +Theodore Marier, world renowned scholar and composer, was Justine Bayard Ward Professor and Director of the Center for Ward Studies at The Catholic University of America. William Skinner, a former student of Dr. Marier's, is a professional translator and interpreter.
505	0	0	_tThe Restoration of Gregorian Chant -- _tThe Gregorian Reform at Solesmes -- _tDom Gueranger's Rationale -- _tPeriod of Preparation -- _tThe First Publications -- _tThe Vatican Edition -- _tDom Andre Mocquereau and the Paleographie Musicale -- _tFather de Santi and Monsignor Carlo Respighi -- _tThe New Legislation of Pius X -- _tThe Meetings of the Commission Held in 1904 -- _tThe Meetings of the Commission Held in 1905 -- _tThe Vatican Commission from 1905 to 1913 -- _tResolutions of the Arezzo Congress -- _tBriefs Addressed to Dom Pothier -- _tThe 1893 Votum of Cardinal Sarto -- _tTranslation of the Original Italian Text of the Documents Relating to the Origins of the Vatican Commission.
530			_a2 _ub
650		0	_aGregorian chants _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=500917&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _mc2003 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c96019 _d96019
902			_a1 _bCynthia Snell _c1 _dCynthia Snell