000 | 03217cam a2200409Mi 4500 | ||
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001 | ocn867739337 | ||
003 | OCoLC | ||
005 | 20240726105315.0 | ||
008 | 120517s2012 vau ob 001 0 eng d | ||
010 | _z2012019470 | ||
040 |
_aP@U _beng _epn _erda _cP@U _dOCLCO _dJSTOR _dCOO _dYDXCP _dUMC _dCUS _dE7B _dNT _dIDEBK _dCDX _dOCLCQ _dEBLCP _dOCLCQ _dLOA _dCOCUF _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dOCLCQ _dIOG _dU3W _dBUF _dEZ9 _dOCLCF _dSTF _dWRM _dVTS _dICG _dREC _dNRAMU _dVT2 _dOCLCQ _dWYU _dLVT _dDKC _dAU@ _dOCLCQ _dM8D _dOCLCQ _dUKCRE _dBOL _dMM9 _dKMS _dOCLCO _dAMH |
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_a9780813933146 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aF1408 _b.N463 2012 |
049 | _aMAIN | ||
100 | 1 |
_aKaup, Monika. _e1 |
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245 | 1 | 0 |
_aNeobaroque in the Americas : _balternative modernities in literature, visual art, and film / _cMonika Kaup. |
260 |
_aCharlottesville : _bUniversity of Virginia Press, _c(c)2012. |
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300 | _a1 online resource (392 pages) | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_2rdacc _0http://rdaregistry.info/termList/RDAColourContent/1003 |
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_adata file _2rda |
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490 | 1 | _aNew World Studies | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction : Neobaroque alternative modernities -- _tNeobaroque Eliot : antidissociationism and the allegorical method -- _tThe neobaroque in Djuna Barnes : melancholia and the language of abundance and insufficiency -- _tThe Latin American antidictatorship neobaroque : allegories of history as catastrophe and performances of the wounded self in Diamela Eltit's Lumpérica and Jose Donoso's Casa de Campo -- _tAntidictatorship neobaroque cinema : Raul Ruiz's Mémoire des apparences and María Luisa Bemberg's Yo, la peor de todas -- _tHemispheric genealogies of the new world baroque : early modern new world baroque and diasporic baroques in contemporary U.S. Latino/a art and culture. |
520 | 0 | _aIn a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, the author examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, this book envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity. | |
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_aArt, Baroque _xInfluence. |
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_aBaroque literature _xInfluence. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=500837&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hF. _m2012 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |