000 | 03397cam a2200433Mi 4500 | ||
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001 | ocn812837107 | ||
003 | OCoLC | ||
005 | 20240726105314.0 | ||
008 | 111115t20122012qucac ob 001 0 eng d | ||
040 |
_aCELBN _beng _erda _cCELBN _dOCLCO _dE7B _dNT |
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020 |
_a9780773586833 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
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043 | _an-cn--- | ||
045 | 0 | _aw5x7 | |
050 | 0 | 4 |
_aN8354 _b.R484 2012 |
049 | _aNTA | ||
245 | 1 | 0 |
_aRethinking professionalism _bwomen and art in Canada, 1850-1970 / _cedited by Kristina Huneault and Janice Anderson. |
260 |
_aMontréal [Que. : _bMcGill-Queen's University Press, _c(c)2012. |
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_a(Beaconsfield, Quebec : _bCanadian Electronic Library, _c(c)2012). |
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300 |
_a1 online resource (xxvi, 443 pages) : _billustrations (some color), portraits, digital file. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 |
_aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; _v9 |
|
504 | _a2 | ||
505 | 0 | 0 |
_aPart One Introduction. Professionalism as Critical Concept and Historical Process for Women and Art in Canada / _rKristina Huneault -- _tPart Two Professionalizing Art. "What Would He Have Us Do?": Gender and the "Profession" of Artist in New Brunswick in the 1930s and 1940s / _rKirk Niergarth -- _tThe Rewards of Professionalization: Alice Lusk Webster and the New Brunswick Museum, 1933-53 / _rLianne McTavish -- _t"A Story of Struggle and Splendid Courage": Anne Savage's CBC Broadcasts of The Development of Art in Canada / _rAlena Buis -- _tPart Three Careers for Women. Hannah Maynard: Crafting Professional Identity / _rJennifer Salahub -- _tFrom Amateur to Professional: The Advertising Photography of Margaret Watkins, 1924-28 / _rMary O'Connor -- _t"I Weep for Us Women": Modernism, Feminism, and Suburbia in the Canadian Home Journal's Home '53 Design Competition / _rCynthia Imogen Hammond -- _tKathleen Daly's Images of Inuit People: Professional Art and the Practice of Ethnography / _rLoren Lerner -- _tThe Girls and the Grid: Montreal Women Abstract Painters in the 1950s and Early 1960s / _rSandra Paikowsky -- _tPart Four The Limits of Professionalism. "I Want to Call Their Names in Resistance": Writing Aboriginal Women into Canadian Art History, 1880-1970 / _rSherry Farrell Racette -- _tFrom "Naturalized Invention" to the Invention of a Tradition: The Victorian Reception of Onkwehonwe Beadwork / _rRuth B. Phillips -- _tProfessional/Volunteer: Women at the Edmonton Art Gallery, 1923-70 / _rAnne Whitelaw -- _t"Marjorie's Web": Canada's First Woman Architect and Her Clients / _rAnnmarie Adams. |
530 |
_a2 _ub |
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650 | 0 |
_aWomen artists _zCanada _xHistory. |
|
650 | 0 |
_aFeminism and art _zCanada _xHistory. |
|
650 | 0 |
_aArt, Canadian _y20th century. |
|
650 | 0 |
_aArt, Canadian _y19th century. |
|
655 | 1 | _aElectronic Books. | |
700 | 1 | _aHuneault, Kristina. | |
700 | 1 |
_aAnderson, Janice, _d1951- |
|
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=499976&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hN _mc2012 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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999 |
_c95914 _d95914 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |