000 | 03593cam a2200445Mi 4500 | ||
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001 | ocn811411349 | ||
003 | OCoLC | ||
005 | 20240726105314.0 | ||
008 | 110608s2011 qucac ob 001 0deng d | ||
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_aE7B _beng _epn _erda _cE7B _dOCLCO _dCELBN _dOCLCQ _dNT _dOCLCQ _dGPM _dJSTOR _dYDXCP _dOCLCF _dCOO _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO _dYDX |
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_a9780773587465 _q((electronic)l(electronic)ctronic) |
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043 | _an-cn--- | ||
050 | 0 | 4 |
_aE76 _b.M874 2011 |
049 | _aMAIN | ||
100 | 1 |
_aPhillips, Ruth B. _q(Ruth Bliss), _d1945- _e1 |
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245 | 1 | 0 |
_aMuseum pieces : _btoward the indigenization of Canadian museums / _cRuth B. Phillips. |
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_aMontreal ; _aIthaca : _bMcGill-Queen's University Press, _c(c)2011. |
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_a1 online resource (xvi, 376 pages :) : _billustrations (some color), portraits. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; _v7. |
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_apart 1. Confrontation and contestation. Undoing the settler museum : showing off and showing up -- _t"Arrow of truth" : the Indians of Canada pavilion at Expo 67, with Sherry Brydon -- _tMoment of truth : The Spirit Sings as critical event and the exhibition inside it -- _tAPEC at the Museum of Anthropology : the politics of site and the poetics of sight bite. |
505 | 0 | 0 |
_apart 2. Re-disciplining the museum. Exclusions and inclusions : authenticity, sacrality, and possession -- _tHow museums marginalize : naming domains of inclusion and exclusion -- _tFielding culture : dialogues between art history and anthropology -- _tDisappearing acts : traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- _tGlobal travels of a Mi'kmaq coat : colonial legacies, repatriation, and the new cosmopolitanism. |
505 | 0 | 0 |
_apart 3. Working it out. Indigenizing exhibitions : experiments and practices -- _tMaking space : First Nations artists, the national museums, and the Columbus Quincentennial (1992) -- _tCancelling white noise : Gerald McMaster's Savage Graces (1994) -- _tThreads of the Land at the Canadian Museum of Civilization (1995) -- _tToward a dialogic paradigm : new models of collaborative curatorial practice -- _tInside-out and outside-in : re-presenting Native North America at the Canadian Museum of Civilization and The National Museum of the American Indian (2003-2004). |
505 | 0 | 0 |
_apart 4. Second museum age. Working with hybridity -- _tFrom harmony to antiphony : the Indigenous presence in a (future) Portrait Gallery of Canada -- _tModes of inclusion : Indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- _tDigital (r)evolution of museum-based research -- _t"Learning to feed off controversies" : meeting the challenges of translation and recovery in Canadian museums. |
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_a2 _ub |
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_aMuseum exhibits _zCanada. |
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_aMuseums and Indians _zCanada. |
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650 | 0 |
_aMuseums _xPolitical aspects _zCanada. |
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650 | 0 |
_aMuseums _xSocial aspects _zCanada. |
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650 | 5 |
_aNative peoples _xMuseums _zCanada. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=499942&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hE. _m(c)2011 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c95886 _d95886 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |