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008 150623t20102010mbca ob 000 0 eng
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015 _a20220139989
_2can
016 _a(AMICUS)000043842052
016 _z20109028511 (print)
020 _a9780887553998
_q((electronic)l(electronic)ctronic)
020 _a9781283091459
020 _a9786613091451
020 _a6613091456
042 _alac
043 _an-cn---
050 0 4 _aP94
_b.I535 2010
049 _aMAIN
245 1 0 _aIndigenous screen cultures in Canada /edited by Sigurjón Baldur Hafsteinsson and Marian Bredin.
260 _aWinnipeg, Manitoba, Canada :
_bUniversity of Manitoba Press,
_c(c)2010.
300 _a1 online resource (202 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
500 _aPublisher's Web site: http://uofmpress.ca.
504 _a2
505 0 0 _rMarian Bredin and Sigurjón Baldur Hafsteinsson --
_tFirst peoples' television in Canada : origins of the Aboriginal Peoples Television Network /
_rLorna Roth --
_tClear signals : learning and maintaining Aboriginal languages through television /
_rJennifer David --
_tAboriginal journalism practices as deep democracy :APTN National News /
_rSigurjón Baldur Hafsteinsson --
_tAPTN and its audiences /
_rMarian Bredin --
_tAboriginal media on the move : an outside perspective on APTN /
_rKerstin Knopf --
_tRegina's Moccasin flats :a landmark in the mapping of urban Aboriginal culture and identity /
_rChristine Ramsay --
_tCo-producing First Nations' narratives :the journals of Knud Rasmussen /
_rDoris Baltruschat --
_tWearing the white man's shoes :two worlds in cyberspace /
_rMike Patterson --
_tTaking a stance :Aboriginal media research as an act of empowerment /
_rYvonne Poitras Pratt.
520 0 _aWho has the power to narrate and the power to suppress indigenous narratives? Are indigenous media representations themselves appropriate? What is the role of indigenous media in striking a balance between external interests and local constituencies? Indigenous Screen Cultures in Canada explores these key questions and undertakes a critical examination of the history and role of indigenous media organizations, content, and audiences in Canada and their growing importance in domestic and global movements for information democracy. Drawing upon work in anthropology, sociology, media studies, and Native studies, the book investigates the political economy of contemporary indigenous television, film, and cyber production. Focussing primarily on Aboriginal television and the first ten years of the Aboriginal Peoples Television Network, the authors also examine indigenous language broadcasting in radio and film; Aboriginal journalism practices; audience creation within and beyond indigenous communities; the roles of program scheduling and content acquisition policies in the decolonization process; the roles of digital video technologies and co-production agreements in indigenous filmmaking; and the emergence of Aboriginal cyber-communities. Each chapter provides concrete examples of how mass media permits increasing cultural and social agency among indigenous groups and how Aboriginal producers conceive of traditional knowledge, language, and practices as vehicles of modern culture.
530 _a2
_ub
650 0 _aIndian motion pictures
_zCanada.
650 0 _aIndigenous peoples and mass media
_zCanada.
650 5 _aIndigenous mass media
_zCanada.
650 5 _aIndigenous television stations
_zCanada.
655 1 _aElectronic Books.
700 1 _aBredin, Marian,
_d1961-
_e5
700 0 _aSigurjón Baldur Hafsteinsson,
_e5
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=497407&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
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_m2010
_QOL
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_8NFIC
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994 _a92
_bNT
999 _c95690
_d95690
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell