000			03703cam a2200457 i 4500
001			ocn813844884
003			OCoLC
005			20240726105308.0
008			121022s2012 enka ob 000 0 eng d
040			_aNT _beng _epn _erda _cNT _dOCLCO _dYDXCP _dOCLCQ _dE7B _dDKDLA _dOCLCO _dCDX _dOCLCQ _dEBLCP _dOCLCQ _dAZK _dAGLDB _dMOR _dPIFAG _dOTZ _dMERUC _dOCLCQ _dZCU _dU3W _dJBG _dOCLCF _dOCLCO _dSTF _dWRM _dVTS _dNRAMU _dICG _dINT _dVT2 _dAU@ _dOCLCQ _dOCLCO _dWYU _dTKN _dOCLCQ _dOCLCO _dDKC _dOCLCQ _dM8D _dUKAHL _dOCLCQ _dVLY _dRECBK _dAJS _dOCLCQ _dOCLCO _dSFB _dOCLCA
015			_aGBB1E5100 _2bnb
016	7		_a015996249 _2Uk
020			_a9781846381119 _q((electronic)l(electronic)ctronic)
020			_a9781283637763
043			_an-us---
050	0	4	_aN6537 _b.D364 2012
049			_aMAIN
100	1		_aEshun, Kodwo. _e1
245	1	0	_aDan Graham : _brock my religion / _cKodwo Eshun.
246	3	0	_aRock my religion
260			_aLondon : _bAfterall, _c(c)2012.
300			_a1 online resource (105 pages) : _bcolor illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aOne work
504			_a2
505	0	0	_aOne Work Series; One Work Series Foreword; Contents; On First Encounter; The Gods of Hardcore; The Trailer; It's Her Factory; The Turbine; Mother Ann Lee Leads the Shakers to the New Land; The Puritans; Rock and the Commodity Form; The Great Day of His Wrath; In the Court of the Lizard King; The Necessity of Violence; Endnotes.
530			_a2 _ub
520	0		_aAn illustrated exploration of a groundbreaking work and its connections to New York's art and music scenes of the 1980s. Dan Graham's Rock My Religion (1982'1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochran) and historical figures (including Ann Lee, founder of the Shakers). It represented a coming together of narrative voice-overs, singing and shouting voices, and jarring sounds and overlaid texts that proposed a historical genealogy of rock music and an ambitious thesis about the origins of North America's popular culture. Because of its passionate embrace of underground music, its low-fi aesthetics, interest in politics, and liberal approach to historiography, the video has become a landmark work in the history of contemporary moving image and art; but it has remained, possibly for the same reasons, one of Graham's least written about works'underappreciated and possibly misunderstood by the critics who otherwise celebrate him. This illustrated study of Graham's groundbreaking work fills that critical gap. Kodwo Eshun examines Rock My Religion not only in terms of contemporary art and Graham's wider body of work but also as part of the broader culture of the time. He explores the relationship between Graham and New York's underground music scene of the 1980s, connecting the artistic methods of the No Wave bands'especially their group dynamics and relationship to the audience'and Rock My Religion's treatment of working class identity and culture.
600	1	0	_aGraham, Dan, _d1942- --
600	1	0	_aGraham, Dan, _d1942-2022 _xCriticism and interpretation.
650		0	_aVideo art _zUnited States.
650		0	_aConceptual art _zUnited States.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=494100&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c95566 _d95566
902			_a1 _bCynthia Snell _c1 _dCynthia Snell