000 | 02075cam a2200397Ki 4500 | ||
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001 | ocn815970819 | ||
003 | OCoLC | ||
005 | 20240726105308.0 | ||
008 | 121105s2005 dcu ob 001 0 eng d | ||
010 | _z2004004193 | ||
040 |
_aNT _beng _epn _erda _cNT _dOCLCA _dE7B _dOCLCA _dOCLCQ _dJSTOR _dP@U _dDKDLA _dCOO _dOCLCQ _dOCLCF _dYDXCP _dEBLCP _dOCLCQ _dAZK |
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020 |
_a9780813220765 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aBR1720 _b.R654 2005 |
049 | _aMAIN | ||
100 | 1 |
_aMcLeod, Frederick G. _e1 |
|
245 | 1 | 0 |
_aThe roles of Christ's humanity in salvation : _binsights from Theodore of Mopsuestia / _cFrederick G. McLeod. |
260 |
_aWashington, D.C. : _bCatholic University of America Press, _c(c)2005. |
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300 | _a1 online resource (xvi, 278 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a2 | ||
505 | 0 | 0 |
_aTheodore's method of interpreting Scripture -- _tThe role of Christ's "body" in human salvation -- _tChrist's salvific role as the bond of the universe -- _tChrist's salvific role as God's perfect image -- _tThe salvific role of Christ's "common prosopon" -- _tThe Word's "indwelling of good pleasure" -- _tThe second council of Constantinople's condemnation of Theodore of Mopsuestia -- _tA reassessment of the charges against Theodore. |
530 |
_a2 _ub |
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600 | 0 | 0 |
_aTheodore, _cBishop of Mopsuestia, _dapproximately 350-428 or 429. |
600 | 0 | 0 |
_aJesus Christ _xPerson and offices. |
600 | 0 | 4 |
_aTheodore, _cBishop of Mopsuestia, _dapproximately 350-428 or 429. |
600 | 0 | 4 |
_aJesus Christ _xPerson and offices. |
650 | 0 | _aSalvation. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=493618&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hBR. _m(c)2005 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c95543 _d95543 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |