000 | 04085cam a2200409 i 4500 | ||
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001 | on1252627937 | ||
003 | OCoLC | ||
005 | 20240726105306.0 | ||
008 | 210524s2021 nyuag ob 001 0 eng d | ||
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_aJSTOR _beng _erda _epn _cJSTOR _dOCLCO _dHTM _dP@U _dOCLCO _dOCL _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dNT |
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_a9781800101890 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aML458 _b.R534 2021 |
049 | _aMAIN | ||
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_aWalton, Chris, _d1963- _e1 |
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_aRichard Wagner's essays on conducting : _ba new translation with critical commentary / _cChris Walton. |
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_a1 online resource : _billustrations, music |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aEastman studies in music, _vv. 175 |
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500 | _aThis volume contains four writings by Wagner about conducting, and a critical essay on his thoughts and practices. With an author's note, introduction, bibliography, and index. Figures. | ||
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_tA Note on the Present Translation -- _tMusical Examples -- _tRichard Wagner's Writings on Conducting -- _tReminiscences of Spontini -- _tReport on the Performance of Beethoven's Ninth Symphony in Dresden in 1846 -- _tAbout Conducting -- _tOn Performing Beethoven's Ninth Symphony -- _tCritical Essay -- _tRichard Wagner and the Art of Conducting -- _tAbout Conducting -- _tWagner in Review -- _tWagner in the Picture -- _tAnnotated Scores and Parts -- _tWriting on Conducting -- _tMania, Helmsmen, and Theory -- _tBerlioz the Catalyst? -- _tUber das Dirigieren -- _tEarly Impact -- _tUber das Dirigieren -- _tStructure, Context, and Meta-Text -- _tOf "Elegance" and Anti-Semitism -- _tWagner and the Academy -- _tWagner and Beethoven's Ninth -- _tThe Bayreuth Performance of Beethoven's Ninth in 1872 -- _tFinding a Vocabulary for Conducting -- _tMelos and the Body -- _tTempo Modification -- _tFreedom, Control, and the "Two Cultures" -- _tCharles Darwin and the Imperceptible Art of Transition -- _tWagner ex Cathedra -- _tWagner's School of Capellmeisters -- _tWagner in Translation -- _tThe Triumph of Time -- _tBibliography -- _tSound Recordings -- _tAnnotated Scores -- _tBooks and Articles. |
520 | 0 | _aRichard Wagner was one of the leading conductors of his time. Through his disciples Hans von Bülow, Hans Richter, Anton Seidl, Felix Mottl, Arthur Nikisch, and their many notable protégés, a Wagnerian art of interpretation became the norm in Europe and America until well into the twentieth century. Wagner's essays on conducting had an even longer impact, and were upheld as central to their art by later generations of conductors from Mahler to Strauss, Furtwängler, Böhm, Scherchen, and beyond. This is the first complete, modern translation of Wagner's conducting essays to appear in English, and the first-ever edition to offer extensive annotations explaining their reception and impact. The accompanying critical essay offers a detailed analysis of Wagner's conducting practices, his innovations in tempo and the art of transition, his creation of a new vocabulary to describe his art, and his success in establishing a school of conductors to promote his works and his aesthetic. Chris Walton is an honorary professor at Africa Open Institute, Stellenbosch University, and a research associate at the Bern University of the Arts. | |
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_a2 _ub |
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_aWagner, Richard, _d1813-1883. |
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_aWagner, Richard, _d1813-1883 _xCriticism and interpretation. |
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_aWagner, Richard, _d1813-1883 -- _lEnglish. |
650 | 0 |
_aConducting _y19th century _xHistory. |
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650 | 0 |
_aMusic _y19th century _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3591699&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hML _m2021 _QOL _R _x _8NFIC _2LOC |
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_c95451 _d95451 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |