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001 | on1268545562 | ||
003 | OCoLC | ||
005 | 20240726105306.0 | ||
008 | 210916s2022 nyu ob 001 0beng | ||
010 | _a2021045210 | ||
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_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dJSTOR _dOCLCO _dEBLCP _dOCLCQ _dGBVCP _dUEJ _dP@U _dNT |
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_a9781800104532 _q((electronic)l(electronic)ctronic) |
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043 | _ae-fr--- | ||
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_aML410 _b.B475 2022 |
049 | _aMAIN | ||
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_aBloom, Peter, _e1 |
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_aBerlioz in time: _bfrom early recognition to lasting renown / _cPeter Bloom. |
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_aRochester, NY : _bUniversity of Rochester Press, _c(c)2022. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_aEastman studies in music, _v183 |
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_aPrologue : from early recognition to lasting renown -- _tBerlioz in the year of the Symphonie fantastique -- _tBerlioz and the translators : from Scott to Shakespeare -- _tBerlioz and Liszt in the locker room -- _tBerlioz's directorship of the Théâtre-Italien -- _tThe local politics of Berlioz's Symphonie militaire -- _tIn the shadows of Les Nuits d'été -- _tBerlioz, Delacroix, and La Mort d'Ophèlie -- _tBerlioz's "mission" to Germany : a revealing document recovered -- _tBerlioz and Wagner : Épisodes de la vie des artistes -- _tImperialism and the ending of Les Troyens -- _tBerlioz's "To be or not to be" -- _tBerlioz, Beatrice, and Much ado about nothing -- _tBerlioz writing the life of Berlioz -- _tEpilogue : Berlioz and the B's : Boschot, Barzun, and beyond. |
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_a"This book is a collection of thirteen essays culled from the several books and hundreds of articles I have published and lectures I have given over the years (nearly fifty of them) on the life and work of Hector Berlioz. Organized in a chronological order determined by the essential subject matter of each essay, the book treats in detail some of composer's individual works (the Symphonie fantastique, the Symphonie funèbre et triomphale, Les Nuits d'été, La Mort d'Ophèlie, Les Troyens, Béatrice et Bénédict), some of the composer's relationships with his most famous contemporaries (Franz Liszt, Richard Wagner), some of the composer's most important concerns (his quest for an administrative position; his travels abroad; his fascination with English literature), the composer's most important book (Les Mèmoires d'Hector Berlioz), and some of his most important critics (from shortly after his death, from the twentieth century, and from the early part of the present century). In a brief Prelude, I explain the origins of the book, aspects of my career as a Berliozian, the main theme of much of my research ("politics," loosely defined), and some of the particular concerns to be treated in the texts that follow. In a brief Postlude, I treat the work of Berlioz's important critics based in part on an article of mine that appeared only in French; and I conclude with a note on the current state of Berlioz studies and some thoughts on the needs for the immediate future. Although this is essentially a collection of previously published material, it is my intention seriously to revise it in such a way as to avoid needless repetition over the course of the thirteen chapters, to bring up to date not every last detail but certain crucial matters, and to correct a number of errors and oversights. The material previously published in French and German will, in English, be entirely new"-- _cProvided by publisher. |
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_aBerlioz, Hector, _d1803-1869. |
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_aBerlioz, Hector, _d1803-1869 _xAppreciation. |
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_aComposers _zFrance _vBiography. |
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655 | 1 | _aElectronic Books. | |
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_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3195248&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |