000			04951cam a2200553Ii 4500
001			ocn881568340
003			OCoLC
005			20240726105252.0
008			140623s2014 ne a ob 001 0 eng d
010			_a2015302293
040			_aEBLCP _beng _epn _erda _cEBLCP _dNT _dE7B _dCUS _dOCLCF _dOCLCQ _dDEBSZ _dOCLCO _dIDEBK _dOCLCQ _dOCLCO _dAZK _dOCLCO _dK6U _dAGLDB _dOCLCQ _dICA _dOCLCQ _dCCO _dPIFFA _dFVL _dZCU _dXFH _dMERUC _dOCLCO _dOCLCQ _dOCLCO _dOCLCA _dU3W _dOCLCA _dD6H _dSTF _dVNS _dVTS _dICG _dYDXCP _dVT2 _dOCLCO _dAU@ _dOCLCO _dOCLCQ _dWYU _dOCLCA _dTKN _dOCLCO _dDKC _dOCLCO _dOCLCQ _dM8D _dUX1 _dOCLCQ _dOCLCA _dSNU _dOCLCO
016	7		_a101634817 _2DNLM
016	7		_a016710657 _2Uk
020			_a9789401210706 _q((electronic)l(electronic)ctronic)
020			_a9401210705 _q((electronic)l(electronic)ctronic)
020			_a9042038241
020			_a9789042038240
050	0	4	_aBF410 _b.C646 2014
049			_aMAIN
100	1		_aVerstegen, Ian, _e1
245	1	0	_aCognitive iconology : _bwhen and how psychology explains images / _cIan Verstegen.
260			_aAmsterdam : _bEditions Rodopi, _c(c)2014.
300			_a1 online resource (188 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aConsciousness Literature & the Arts, _v37
505	0	0	_aCover; Title Page; Copyright Page; Contents; Preface; Introduction:; Toward a Cognitive Iconology; The New Two Cultures; Cognition + Iconology; Psychology -- _tWhat's to Fear?; Structure of the Book; Chapter 1; Cognitive Iconology: Understanding versus Explanation; Arnheim's Woes; An Example: Cross-Cultural Perception; What does it mean to Explain Something?; Ontological Priority; Epistemic Priority; Against Conflation; Downward Conflation; Separating Sociology from Psychology; The Proper Place of Cultural Analysis; What is Left Over once Society is Extracted?; Upward Conflation.
505	0	0	_aSeparating Biology from PsychologyThe Proper Place of Biological Analysis; What is Left Over once Biology is Extracted?; Stratified Explanation and Cognitive Glue; Chapter 2; Fiction and Transcription: Two Ecologies of Perception; Linear Perspective; Drawing and the Naive Theory of Mind; Two Ecologies of Perception; The Ecology of Standard Graphic Communication; The Ecology of Transcriptive Perspective; Chapter 3; A Classification of Perspective ""Corrections"" in Images; The Judgment of the Eye; From Prospectiva Naturalis to Good Form; Human Figures; Representing Architecture.
505	0	0	_aRelating Space to ViewerCorrections and Distortions; Chapter 4; Presence over Perspective: Portraits-in-Pictures; Curious Images; Perspective and Meta-Painting; Occasions for Portraiture; The Image without Presence; The Image with Presence; Problems of Reality in Virtual Portraits Parallelto the Picture Plane; Presence, Absence and Perspective; Chapter 5; Oblique Images from the Side and Below; The Problem; Discovering Oblique Viewing; The Phenomenon Clarified; Distinguished from Anamorphism; Distinguished from Robust Perspectives; Three Levels of Site-Specificity.
505	0	0	_aViewing Pictures from the SideViewing Pictures from Below; Oblique Perception and Cultural Explanations; Chapter 6; Acting Irrational around Art; Are Objects Alive?; A Real Complementary Solution: Cognitive Glue; Similarity and Contagion; Similarity and Contagion with Images; Witnessing Miraculous Behavior; Iconoclasm; Society: The Focalizer; Conclusion; Cognitive Proclivities for the Study of Art; Tendencies are Not Probabilities; Gestalt Theory as Mediator; Bibliography; Index.
520	0		_aCognitive Iconology is a new theory of the relation of psychology to art. Instead of being an application of psychological principles, it is a methodologically aware account of psychology, art and the nature of explanation. Rather than fight over biology or culture, it shows how they must fit together. The term "cognitive iconology" is meant to mirror other disciplines like cognitive poetics and musicology but the fear that images must be somehow transparent to understanding is calmed by the stratified approach to explanation that is outlined. In the book, cognitive iconology is a theory of co.
504			_a2
530			_a2 _ub
650		0	_aArts _xPsychological aspects.
650		0	_aPsychology and art.
650		0	_aVisual perception.
650		0	_aHumanities.
650		0	_aPerception.
650		0	_aHuman information processing.
650		0	_aArt.
650		0	_aPsychology.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=766274&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hBF . _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c94695 _d94695
902			_a1 _bCynthia Snell _c1 _dCynthia Snell