000 04425cam a2200421Ki 4500
001 ocn987474119
003 OCoLC
005 20240726105249.0
008 170519s2017 nju ob s001 0 eng d
040 _aNT
_beng
_erda
_epn
_cNT
_dYDX
_dP@U
_dOCL
_dJSTOR
020 _a9780813585406
_q((electronic)l(electronic)ctronic)
043 _an-us---
050 0 4 _aP96
_b.I585 2017
049 _aMAIN
245 1 0 _aIn/visible war :
_bAmerica's twenty-first-century armed conflicts /
_cedited by Jon Simons and John Louis Lucaites.
246 3 _aInvisible war
260 _aNew Brunswick, NJ :
_bRutgers University Press,
_c(c)2017.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 0 _aWar culture
520 0 _a"In/Visible War addresses a paradox of twenty-first-century American warfare. The contemporary visual American experience of war is ubiquitous and utterly present in public, popular culture, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of 21st century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network. This book asks: What is the significance of this simultaneous in/visibility of war? How do militaristic spectacles serve to hide war's costs while simultaneously representing war? How does the in/visibility of war articulate with other structures, processes and practices of social power? Does critical dissent from war depend on other ways of seeing war and rendering it visible?"--Provided by publisher.
504 _a2
505 0 0 _aIntroduction: the paradoxical in/visibility of war /
_rJohn Louis Lucaites and Jon Simons --
_tSeeing war. How photojournalism has framed the war in Afghanistan /
_rDavid Campbell --
_tReturning soldiers and the in/visibility of combat trauma /
_rChristopher J. Gilbert and John Louis Lucaites --
_t(Re)fashioning PTSD's warrior project /
_rJeremy G. Gordon --
_tUnremarkable suffering: banality, spectatorship, and war's in/visibilities /
_rRebecca A. Adelman and Wendy Kozol --
_tTransitio. "War is fun," a photo essay /
_rby Nina Berman --
_tLaying Bin Laden to rest: a case study of terrorism and the politics of visibility /
_rJody Madeira --
_tNot seeing war. Digital war and the public mind: call of duty reloaded, decoded /
_rRoger Stahl --
_tA cinema of consolation: post-9/11 super invasion fantasy /
_rDe Witt Douglas Kilgore --
_tDifferential configurations: in/visibility through the lens of Kathryn Bigelow's The hurt locker (2008) /
_rClaudia Breger --
_tCanine rescue, civilian casualties, and the long Gulf War /
_rPurnima Bose --
_tTheorizing the in/visibility of war. The in/visibility of liberal peace: perpetual peace and enduring freedom /
_rJon Simons --
_tWhy war? Baudrillard, Derrida, and the absolute televisual image /
_rDiane Rubenstein --
_tWar in the twenty-first century: visible, invisible or superpositional? /
_rJames Der Derian.
530 _a2
_ub
650 0 _aWar in mass media.
650 0 _aMass media and war
_zUnited States.
650 0 _aWar and society
_zUnited States
_xHistory
_y21st century.
655 1 _aElectronic Books.
700 1 _aLucaites, John Louis,
_e5
700 1 _aSimons, Jon,
_d1961-
_e5
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1455666&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hP.
_m2017
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c94526
_d94526
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell