000			04199cam a2200409Mi 4500
001			ocn821173903
003			OCoLC
005			20240726105246.0
008			121205s2012 xx o 000 0 eng d
040			_aMERUC _beng _epn _erda _cMERUC _dOCLCO _dMHW _dUKDOC _dNT _dOCLCF _dDEBSZ _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dAGLDB _dMERUC _dZCU _dD6H _dOCLCA _dOCLCQ _dVTS _dICG _dOCLCQ _dTKN _dSTF _dDKC _dAU@ _dOCLCQ
020			_a9781136071942 _q((electronic)l(electronic)ctronic)
043			_ae------
050	0	4	_aD1056 _b.B533 2012
049			_aMAIN
100	1		_aRaphael-Hernandez, Heike. _e1
245	1	0	_aBlackening Europe : _bthe African American Presence. _c
260			_aHoboken : _bTaylor and Francis, _c(c)2012.
300			_a1 online resource (337 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aCrosscurrents in African American History
504			_a2
520	0		_aTraditional Scholars have often looked at African American studies through the lens of European theories, resulting in the secondarization of the African American presence in Europe and its contributions to European culture. Blackening Europe reverses this pattern by using African American culture as the starting point for a discussion of its influences over traditional European structures. Evidence of Europe's blackening abound, form French ministers of Hip-hop and British incarnations of "Shaft" to slavery memorial in the Netherlands and German youth sporting dreadlocks. Collecting essays by
505	0	0	_aCover -- _tTitle -- _tCopyright Page -- _tContents -- _tAcknowledgments -- _tForeword: Migrancy, Culture, and a New Map of Europe -- _tIntroduction: Making the African American Experience Primary -- _tPart I: Creating a Foundation -- _t1 Jazz as Decal for the European Avant-Garde -- _t2 Blackness as Symptom: Josephine Baker and European Identity -- _t3 "Jungle in the Spotlight"?: Primitivism and Esteem: Katherine Dunham's 1954 German Tour -- _t4 Black Music, White Freedom: Times and Spaces of Jazz Countercultures in the USSR -- _tPart II:Accompanying Europe into the Twenty-first Century -- _t5 Monuments of the Black Atlantic: Slavery Memorials in the United States and the Netherlands -- _t6 Dancing Away toward Home: An Interview with Bill T. Jones about Dancing in Contemporary Europe -- _t7 The Melancholic Influence of the Postcolonial Spectral: Vera Mantero Summoning Josephine Baker -- _t8 Nights of Flamenco and Blues in Spain: From Sorrow Songs to Soleá and Back -- _t9 Monsieur Hip-Hop -- _t10 Rap, Rebounds, and Rocawear: The "Darkening" of German Youth Culture -- _t11 A. R. T., Klikk, K. A. O. S., and the Rest: Hungarian Youth Rapping -- _t12 "But I Ain't African, I'm American!": Black American Exiles and the Construction of Racial Identities in Twentieth-Century France -- _t13 "Heroes across the Sea": Black and White British Fascination with African Americans in the Contemporary Black British Fiction by Caryl Phillips and Jackie Kay -- _tPart III: Turning into Theory for Europe -- _t14 Never Shall We Be Slaves: Locke's Treatises, Slavery, and Early European Modernity -- _t15 Make Capital Out of Their Sympathy: Rhetoric and Reality of U. S. Slavery and Italian Immigrant Prostitution along the Color Line from the Nineteenth to the Twenty-first Century -- _t16 Blackening Gypsy Slavery: The Romanian Case.
505	0	0	_a17 "Niggas" and "Skins": Nihilism among African American Youth in Low-Income Urban Communities and East German Youth in Satellite Cities, Small Towns, and Rural Areas -- _tContributors -- _tIndex.
530			_a2 _ub
650		0	_aBlack people _zEurope _xSocial conditions.
650		0	_aAfrican American jazz musicians _zEurope.
650		0	_aBlack people _zEurope _xPublic opinion.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=506590&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hD.. _m2012 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c94383 _d94383
902			_a1 _bCynthia Snell _c1 _dCynthia Snell