000			04262cam a2200409Ii 4500
001			ocn933835067
003			OCoLC
005			20240726105243.0
008			160107s2015 enk ob 000 0 eng d
040			_aNT _beng _erda _epn _cNT _dCDX _dNT _dIDEBK _dYDXCP _dNT _dEBLCP
020			_a9781783204939 _q((electronic)l(electronic)ctronic)
020			_a9781783204946
050	0	4	_aPR4172 _b.W884 2015
049			_aTEFA
100	1		_aHazette, Valérie V., _e1
245	1	0	_aWuthering Heights on film and television : _ba journey across time and cultures / _cby Valérie V. Hazette.
260			_aBristol, UK ; _aChicago, USA : _bIntellect, _c(c)2015.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a1
505	0	0	_aHalftitle Page; Title Page; Copyright; Contents; Dedication; List of Archival and Interview Material; Foreword; Introduction; Part I Contextualisation and Methodology; A Contextualisation of Emily Brontë's Novel; Chapter 1 Myth, the Fantastic and Wuthering Heights; Chapter 2 Emily Brontë and Her Local Sphere; B From the Novel's to the Films' Intertextuality; Chapter 3 The Myth of Psyche and the Fairy Tale of Beauty and the Beast; Chapter 4 Tristan and Iseult; Chapter 5 Georges Bataille and the Literature of Evil
505	0	0	_aChart of the Mythical Components (MCs), Bataillan Themes (BTs) and Planar/Gothic FiguresC Adapting the Adaptation Discourse to Our Corpus; Chapter 6 Adaptation, Translation and the Unconscious of the Text; Three Relevant F-Words: Fidelity, Foreignisation and Figure; Flirting with the Dynamic Structures of the Imaginary: Gilbert Durand; Improvised Chart of the Heroic, Mystical and Dramatic Structures; Chapter 7 From Film Adaptation to Cultural Translation; After Babel: George Steiner; After Babel and Wuthering Heights; Part II The British Silent Era -- _tLooking Back at a Lost Picture
505	0	0	_aA Wuthering Heights and the Written EvidenceChapter 8 Absence of Footage; Chapter 9 Ideal's Programme -- _tAdaptation seen as Cultural Practice; Chapter 10 Ideal's Programme -- _tGazing at Wuthering Heights, the Film; Chapter 11 Ideal's Programme -- _tGazing at Wuthering Heights, the Novel; Chapter 12 Ideal's Programme -- _tThe Gender of the Author; Chapter 13 Ideal's Programme -- _tFidelity through the Locations; Chapter 14 Ideal's Synopsis -- _tMelodrama and Pictorialism; Chapter 15 Ideal's Synopsis -- _tThe 'Ephemera' of the Lively Arts
505	0	0	_aB Recomposition of Wuthering Heights: An Insight into the Hermeneutic of 'Incursion'Chapter 16 A Modern (Silent) Motion Picture; Chapter 17 Wuthering Heights and Albert Victor Bramble; Chapter 18 Wuthering Heights seen through the Bramble-Stannard Partnership and Mr. Gilfil's Love Story; Chapter 19 Hitchcock's Hidden Collaborator, Eliot Stannard; Chapter 20 Wuthering Heights (1920), Poetic Realism and Hitchcock-Stannard's The Manxman (1929); Part III The Heritage and Cross-Heritage Transformations; A From the Cinema Classics to the Televisual Transformations
505	0	0	_aChapter 21 L'Amour Fou (1933-1953)Chapter 22 L'Amour Mercenaire (1938-1939); Chapter 23 Audience Response in the UK (1939-1978): An Hermeneutic of 'Re-Appropriation'; The BBC Teleplays; The Lindsay Anderson's Film Project (1963-1965); The BBC2 Classic Serials; B The 'Period' Dramas and the 'Anti-Period' Dramas: Reflections on Cultural 'Accuracy' and Cultural 'Displacement'; Chapter 24 The British Period Dramas -- _tFrom One Generation to the Next, from Hollywood to ITV: Accuracy and Compensation; Tilley-Fuest (1970); Interview with Patrick Tilley; Interview with Bob Fuest
530			_a2 _ub
600	1	0	_aBrontë, Emily, _d1818-1848 -- _xFilm adaptations.
600	1	0	_aBrontë, Emily, _d1818-1848 -- _xTelevision adaptations.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1135646&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2015 _QOL _R _x _8NFIC _2LOC
994			_aC0 _bTEF
999			_c94268 _d94268
902			_a1 _bCynthia Snell _c1 _dCynthia Snell