000 | 02822nam a2200385Ki 4500 | ||
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001 | ocn774399288 | ||
003 | OCoLC | ||
005 | 20240726105241.0 | ||
008 | 120130s2011 wlk ob 001 0 eng d | ||
040 |
_aNT _beng _erda _cNT |
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020 |
_a9780708323465 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
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050 | 0 | 4 |
_aPS3561 _b.S747 2011 |
049 | _aNTA | ||
100 | 1 |
_aSears, John. _e1 |
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245 | 1 | 0 | _aStephen King's gothicJohn Sears. |
260 |
_aCardiff, Wales : _bUniversity of Wales Press, _c(c)2011. |
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300 | _a1 online resource (viii, 261 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aGothic literary studies | |
504 | _a2 | ||
520 | 0 | _a"Stephen King's Gothic reassesses this major contemporary Gothic writer through close and detailed readings of key works ranging from his earliest writings (Carrie, 'Salem's Lot, the Shining) to such recent novels as Duma Kay. Informed by and extensively applying concepts deriving from contemporary literary and cultural theory, and engaging closely throughout with King's texts and with his comments in his own critical writings and interviews, John Sears argues that King's particular revisions of major Gothic themes, writings and traditions can best be understood as being closely related to his recurrent concerns with the act and products of writing itself. These concerns, Sears suggests, are detectable throughout King's oeuvre and are structural to his Gothic vision. Key themes addressed include Gothic traditions and their connections to such related genres as science fiction, Gothic representations of time, space, and place, Gothic monstrosity, and the constitution (in King's versions of it) of Gothic writing itself." --P 4. of cover. | |
505 | 0 | 0 |
_aRereading Stephen King's Gothic -- _tCarrie's Gothic script -- _tDisinterring, doubling: King and traditions -- _tGenre's Gothic machinery -- _tMisery's Gothic tropes -- _tGothic time in 'The Langoliers' -- _t'This Inhuman Place': King's Gothic places -- _tFacing Gothic monstrocity -- _tConclusion: King's Gothic endings. |
530 |
_a2 _ub |
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600 | 1 | 0 |
_aKing, Stephen, _d1947- _xCriticism and interpretation. |
650 | 0 |
_aGothic fiction (Literary genre), American _xHistory and criticism. |
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650 | 0 |
_aHorror tales, American _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=409319&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPS. _m2011 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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999 |
_c94131 _d94131 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |