000			03983cam a2200409Ii 4500
001			ocn945874262
003			OCoLC
005			20240726105229.0
008			160409s2016 nyu o 000 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dOCLCO _dTEFOD _dNT
020			_a9781785257230 _q((electronic)l(electronic)ctronic)
020			_a9781785259302 _q((electronic)l(electronic)ctronic)
050	0	4	_aN6490 _b.A786 2016
049			_aMAIN
100	1		_aEimert, Dorothea, _e1
245	1	0	_aArt of the 20th centuryDorothea Eimert.
260			_aNew York : _bParkstone International, _c(c)2016.
300			_a1 online resource (508 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aArt of the 20th Century
504			_a2
505	0	0	_aIntroduction; A New View of the World -- _tTechnology and the Natural Sciences Change the Mechanistic World View; Expression and Fragmentation; Matisse and the Wild Beasts in Paris: The Fauves and the Autonomy of Colour; Paula Modersohn-Becker and Tranquillity in Worpswede; Futurism: The Dynamisation of the Image; Expressionism and the Search for Contemporary Form; Cubism, Materiality, and Collage; Abstractions; The Russian Avant-Garde; De Stijl: The Uniformity of the Painting Surface; The Bauhaus; One Turn of the Screw Tighter During World War I; Dada and Its Surroundings
505	0	0	_aExplosive Visual LanguageVeristic Tendencies; Surreal and Magical: Between the World Wars; Pittura Metafisica; Surrealism; Magical Realism and the New Objectivity; Degenerate Art; Sculpture in the First Half of the 20th Century; First Steps; The Fragmentation of Shape; Material Constructions; Bauhaus and De Stijl; Readymade and Surreal Objects; Homogenous as Nature; Architecture in the First Half of the 20th Century; An Introductory Note; The U.S.A.; Europe During the First Two Decades; The'30s: Moscow, San Francisco, Nuremberg; New Beginnings on the International Scene after World War II
505	0	0	_aThe RealistsNew York and Abstract Expressionism; Europe and Abstract Expressionism; Abstract Expressionist Sculpture; The Sixties: Close to Real Life; Nouveaux Réalistes; Concrete Art; Op-Art and Kinetics: The View from the Centre; Pop Art; Nouvelle Figuration and New Realism; Photorealism; A Long Intermission: What You See Is What You See; Minimal Art; Conceptual Art; Sensitisation of the Senses; Campaigns, Happenings, Fluxus; Joseph Beuys; Arte Povera: Organic Energy; Natural Processes; Spurensicherung: Material Memory; Land Art: Ethereal Energies; Upheaval and Awakening
505	0	0	_aFrom the '60s to the '80sThe New Expressivity; Painting as Painting -- _tAn Everlasting Language; Media; Video and New Media; Photography: A Brief Look Back and Ahead; In the Wake of the Turn of the Millennium: Unknown Possibilities; Sculpture and Readymades; Painting and Installations toward the End of the Millennium; Architecture in the Second Half of the 20th Century; The First Two Decades after World War II; Cultural Buildings from the Late '50s to the Mid-'70s; Further Development of the Skyscraper: Four Examples; Parisian Cultural Buildings in the François Mitterrand Period
505	0	0	_aPostmodernism and DeconstructionA New Sensibility; Berlin after Reunification; Architecture in the New Millennium; A Brief Look Back and Ahead; The Gigantic Dimensions of Architecture in the Emirates; The Future: Subtle Architecture; Conclusion; Bibliography; Index
530			_a2 _ub
650		0	_aArt, Modern _y20th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1203321&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c93391 _d93391
902			_a1 _bCynthia Snell _c1 _dCynthia Snell