000			02864cam a2200409 i 4500
001			on1124761732
003			OCoLC
005			20240726105226.0
008			191022s2019 nju ob s001 0 eng d
040			_aNT _beng _erda _epn _cNT _dOCLCO _dEBLCP _dYDX _dDEGRU _dOCLCQ _dOCLCO _dLUN _dBRF _dOCLCQ _dOCLCO _dK6U _dOCLCO
020			_a9780813594743 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aPN6714 _b.O559 2019
049			_aMAIN
100	1		_aHanna, Erin, _d1980- _e1
245	1	0	_aOnly at Comic-Con : _bHollywood, fans, and the limits of exclusivity / _cErin Hanna.
260			_aNew Brunswick : _bRutgers University Press, _c(c)2019.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: the San Diego Comic-Con and the limits of exclusivity -- _tOrigin stories: Comic-Con and the future of all media -- _tThe liminality of the line and the place of fans at Comic-Con -- _tManufacturing "Hall H Hysteria:" Hollywood and Comic-Con -- _tRet(ail)con: from dealers' room to exhibit hall -- _tConclusion: from franchise wars to fry fans: Comic-Con anywhere.
520	0		_aWhen the San Diego Comic-Con was founded in 1970, it provided an exclusive space where fans, dealers, collectors, and industry professionals could come together to celebrate their love of comics and popular culture. In the decades since, Comic-Con has grown in size and scope, attracting hundreds of thousands of fans each summer and increased attention from the media industries, especially Hollywood, which uses the convention's exclusivity to spread promotional hype far and wide. What made the San Diego Comic-Con a Hollywood destination? How does the industry's presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.
530			_a2 _ub
650		0	_aComic book fans.
650		0	_aComic books, strips, etc. _xMarketing.
650		0	_aMotion pictures and comic books.
650		0	_aFandom _zUnited States.
650		0	_aPopular culture _zUnited States.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2275725&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c93247 _d93247
902			_a1 _bCynthia Snell _c1 _dCynthia Snell