000			03632nam a2200421Ki 4500
001			ocn966288092
003			OCoLC
005			20240726105220.0
008			161215s2016 enka ob 000 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9781443856867 _q((electronic)l(electronic)ctronic)
050	0	4	_aN6494 _b.P733 2016
049			_aMAIN
245	1	0	_aPractices of abstract art : _bbetween anarchism and appropriation / _cedited by Isabel Wünsche and Wiebke Gronemeyer.
250			_aFirst unabridgedition.
260			_aNew Castle upon Tyne, UK : _bCambridge Scholars Publishing, _c(c)2016.
300			_a1 online resource (xiii, 301 pages, 21 unnumbered pages of plates) : _billustrations (some color).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
386			_nnat _aGermans _2lcdgt
386			_ngdr _aWomen _2lcdgt
504			_a1
520	0		_aRecent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years.
505	0	0	_t-- _tThe politics of abstract art: between the individual and the universal -- _tWassily Kandinsky and František Kupka: between metaphysics and psychophysics / _rIsabel Wünsche -- _tCreating the ideal: František Kupka's social reform and anarchist abstraction / _rNaomi Hume -- _tKandinsky, anarchism, and the narrative of modernism / _rRose-Carol Washton Long -- _tProducing a grammar of painting: color and form in the manuscripts of Ivan Kliun / _rViktoria Schindler -- _tBarcelona--Paris--"New Cusco"--Montevideo: the routes to roots of Joaquín Torres-García's South American abstraction / _rAarnoud Rommnes -- _tCongdon's abstract art and the metaphysics of immediacy / _rNieves Acedo -- _tThe abstraction of behavior / _rGordon Monro -- _tDigital abstraction: modeling intersensory perception in electronic art / _rBirgit Mersmann. -- _tThe interculturality of abstract art: between co-optation and appropriation -- _tErnst Wilhelm Nay: Vom Gestaltwert der Farbe--artistic concepts and cultural policy in postwar Germany / _rFranziska Müller -- _tFree art in free Berlin: German-American support for Berlin art in the 1950s / _rDorothea Schöne -- _tThe Russian boom: abstract art as a means for cultural diplomacy between the Soviet Union and West Germany (1970-1990) / _rElena Korowin -- _tAbstract art in South Africa: then and now / _rMarilyn Martin -- _tWhat is the role of abstraction within the concerns of visual art language contemporaneously? / _rWendy Kelly -- _tThe appropriation of "abstraction" beyond the aesthetic / _rWiebke Gronemeyer -- _tRefresh abstraction! day glo neo geo / _rPamela C. Scorzin.
530			_a2 _ub
650		0	_aArt, Abstract.
650		0	_aArt, Modern _y20th century.
650		0	_aArt, Modern _y21st century.
655		1	_aElectronic Books.
700	1		_aWünsche, Isabel, _e5
700	1		_aGronemeyer, Wiebke, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1439279&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c92921 _d92921
902			_a1 _bCynthia Snell _c1 _dCynthia Snell