000 | 03395cam a2200397Ki 4500 | ||
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001 | ocn879202803 | ||
003 | OCoLC | ||
005 | 20240726105217.0 | ||
008 | 140505s2014 mauaf ob 001 0beng d | ||
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_aNT _beng _erda _epn _cNT _dYDXCP _dOCLCO _dOCLCF _dOCLCQ _dDEBBG _dE7B _dOCLCO _dJSTOR _dOCLCO _dEBLCP _dDEBSZ _dOCLCO _dGKJ _dUAB _dMERUC _dOCLCQ _dOCLCO _dJBG _dOCLCA _dIOG _dEZ9 _dDEGRU |
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_a9780674369962 _q((electronic)l(electronic)ctronic) |
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_ae-fr--- _an-us--- |
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050 | 0 | 4 |
_aGV1785 _b.J674 2014 |
049 | _aMAIN | ||
100 | 1 |
_aGuterl, Matthew Pratt, _e1 |
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245 | 1 | 0 | _aJosephine Baker and the Rainbow Tribe /Matthew Pratt Guterl. |
260 |
_aCambridge, Massachusetts ; _aLondon, England : _bThe Belknap Press of Harvard University Press, _c(c)2014. |
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300 | _a1 online resource (250 pages, 26 unnumbered pages of plates) | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aToo busy to die -- _tNo more bananas -- _tCitizen of the world -- _tSouthern muse -- _tAmbitious assemblages -- _tFrench Disney -- _tMother of a wounded world -- _tUnraveling plots -- _tRainbow's end -- _tEpilogue. |
520 | 0 | _aMain Description: Creating a sensation with her risqué nightclub act and strolls down the Champs Elysées, pet cheetah in tow, Josephine Baker lives on in popular memory as the banana-skirted siren of Jazz Age Paris. In Josephine Baker and the Rainbow Tribe, Matthew Pratt Guterl brings out a little known side of the celebrated personality, showing how her ambitions of later years were even more daring and subversive than the youthful exploits that made her the first African American superstar. Her performing days numbered, Baker settled down in a sixteenth-century chateau she named Les Milandes, in the south of France. Then, in 1953, she did something completely unexpected and, in the context of racially sensitive times, outrageous. Adopting twelve children from around the globe, she transformed her estate into a theme park, complete with rides, hotels, a collective farm, and singing and dancing. The main attraction was her Rainbow Tribe, the family of the future, which showcased children of all skin colors, nations, and religions living together in harmony. Les Milandes attracted an adoring public eager to spend money on a utopian vision, and to worship at the feet of Josephine, mother of the world. Alerting readers to some of the contradictions at the heart of the Rainbow Tribe project--its undertow of child exploitation and megalomania in particular--Guterl concludes that Baker was a serious and determined activist who believed she could make a positive difference by creating a family out of the troublesome material of race. | |
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_a2 _ub |
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_aBaker, Josephine, _d1906-1975 _xFamily. |
650 | 0 |
_aDancers _zFrance _vBiography. |
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650 | 0 |
_aAfrican American entertainers _zFrance _vBiography. |
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650 | 4 | _avarious. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=663472&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hGV. _m2014 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c92709 _d92709 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |