000 | 03263cam a2200409Mi 4500 | ||
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001 | ocn812837242 | ||
003 | OCoLC | ||
005 | 20240726105216.0 | ||
008 | 111021t20122012qucacf ob 001 0deng d | ||
040 |
_aCELBN _beng _erda _cCELBN _dOCLCO _dE7B _dNT |
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020 |
_a9780773586826 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
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043 | _an-cn--- | ||
050 | 0 | 4 |
_aNA745 _b.A455 2012 |
049 | _aNTA | ||
100 | 1 |
_aAlfoldy, Sandra, _d1969- _e1 |
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245 | 1 | 0 |
_aThe allied arts _barchitecture and craft in postwar Canada / _cSandra Alfoldy. |
260 |
_aMontreal [Que. : _bMcGill-Queen's University Press, _c(c)2012. |
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260 |
_a(Beaconsfield, Quebec : _bCanadian Electronic Library, _c(c)2012). |
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300 |
_a1 online resource (xv, 227 pages, 9. pages of plates) : _billustrations (some color), portraits, digital file. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aMcGill-Queen's/Beaverbrook Canadian Foundation Studies in art history | |
504 | _a2 | ||
505 | 0 | 0 |
_aAllied arts -- _tMaterial -- _tScale and form -- _tOrnament -- _tIdentities -- _tConclusion -- _tAppendix. |
520 | 0 | _aDuring periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries. | |
530 |
_a2 _ub |
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650 | 0 |
_aArchitecture _zCanada _xHistory _y20th century. |
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650 | 0 |
_aHandicraft _zCanada _xHistory _y20th century. |
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650 | 0 |
_aDecorative arts _zCanada _xHistory _y20th century. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=499867&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hNA _mc2012 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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999 |
_c92694 _d92694 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |