000			04532cam a2200481Mi 4500
001			on1240714905
003			OCoLC
005			20240726105155.0
008			201209s2021 enk fo 000 0 eng d
040			_aUKAHL _beng _erda _epn _cUKAHL _dOCLCO _dUKMGB _dOCLCO _dOCLCF _dUKAHL _dOCLCO _dEBLCP _dYDX _dNT
015			_aGBC0J9393 _2bnb
015			_aGBC2C0580 _2bnb
016	7		_a020043407 _2Uk
016	7		_a020656564 _2Uk
020			_a9781905816590 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.F556 2021
049			_aMAIN
100	1		_aNeale, Stephen, _d1950- _e1
245	1	0	_aFilm, cinema, genre _bthe Steve Neale reader / _cSteve Neale ; edited by Frank Krutnik, Richard Maltby.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aExeter studies in film history
504			_a2
505	0	0	_aFILM, CINEMA, GENRE: The Steve Neale Reader -- _tCover Page -- _tAbout the Author Page -- _tSeries Page -- _tTitle Page -- _tCopyright -- _tContents -- _tIllustrations -- _tAcknowledgements -- _tSteve Neale and Film Studies: An Introduction Frank Krutnik -- _tSection A: Beginnings -- _t1. The Reappearance of Movie -- _tReview in Screen, 16.3 (1975), 112-15 -- _t2. Personal Views -- _tReview in Screen, 17.3 (1976), 118-22 -- _t3. The Invention of Cinema -- _tChapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985) -- _tSection B: Genre(s) -- _t4. Genre
505	0	0	_aChapter 3 of Genre (London: British Film Institute, 1980) -- _t5. Questions of Genre -- _tScreen, 31.1 (1990), 45-66 -- _t6. Genre and Hollywood -- _tChapter 7 of Genre and Hollywood(London: Routledge, 2000) -- _t7. Melodrama and Tears -- _tScreen, 27.6 (1986), 6-23 -- _t8. Aspects of Ideology and Narrative Form in the American War Film -- _tScreen, 32.1 (1991), 33-57 -- _tSection C: Interventions and Provocations -- _t9. Art Cinema as Institution -- _tScreen, 22.1 (1981), 11-40 -- _t10. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema -- _tScreen, 24.6 (1983), 2-17
505	0	0	_a11. Melo Talk: On the Meaning and Use of the Term 'Melodrama' in the American Trade Press -- _tThe Velvet Light Trap, 32 (1993), 66-89 -- _t12. Hollywood Blockbusters: Historical Dimensions -- _tMovie Blockbusters, edition by Julian Stringer (London: Routledge, 2003), pp. 47-60 -- _tSection D: Film Analysis -- _t13. Issues of Difference: Alien and Blade Runner -- _tFantasy and the Cinema, edition by James Donald (London: British Film Institute, 1989), pp. 213-23 -- _t14. Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman
505	0	0	_aStyle and Meaning: Essays in the Detailed Analysis of Film, edition by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99-107 -- _t15. Gestures, Movements and Actions in Rio Bravo -- _tHoward Hawks: New Perspectives, edition by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110-21 -- _t16. The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann -- _tWidescreen Worldwide, edition by John Belton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91-106
505	0	0	_a17. 'I Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire and the Narratology of Femmes Fatales -- _tThe Femme Fatale: Images, Histories, Contexts, edition by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187-98 -- _tSteve Neale Bibliography -- _tIndex -- _tBy the Same Author -- _tBack Cover
520	0		_aThis Reader brings together for the first time key works by Steve Neale, one of the founding figures of UK film studies. It includes selections of his influential writing on genre, together with other critical work encompassing film analysis, representation, cinema history, technology, and the film industry.
530			_a2 _ub
650		0	_aMotion pictures _xHistory.
650		0	_aMotion picture industry _xHistory.
655		1	_aElectronic Books.
700	1		_aKrutnik, Frank, _d1956- _e5
700	1		_aMaltby, Richard, _d1952- _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3487400&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91516 _d91516
902			_a1 _bCynthia Snell _c1 _dCynthia Snell