000			03534cam a2200421 i 4500
001			on1267403342
003			OCoLC
005			20240726105154.0
008			210729s2021 ilua ob 001 0 eng
010			_a2021037414
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dYDX _dNT _dP@U _dYDX _dJSTOR
020			_a9780252053016 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_aa-ii---
050	0	4	_aML3917 _b.D465 2021
049			_aMAIN
100	1		_aSchreffler, Gibb, _e1
245	1	0	_aDhol : _bdrummers, identities, and modern Punjab / _cGibb Schreffler.
300			_a1 online resource : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction. Drumming to the Beat of a Different March -- _tThe Short End of the Stick : Strategies of Identification -- _tDhol Manifested : Body, Sound, and Structure -- _tAsking Rude Questions : Dholi Ethnicity -- _tA Portrait of a Dholi and His Community -- _tBecoming and Being a Dholi -- _tDhol Players in a New World -- _tReturn to Punjab, Turning Punjab.
520	0		_a"In the early twenty-first century, the Punjab region's traditional drummers, dholis, were experiencing "the toughest time ever." Concurrently, their instrument, the iconic barrel drum dhol, was experiencing unprecedented global popularity. This book uncovers why, notwithstanding the emblematic status of dhol for Punjabis, the dholis' local communities are facing existential crisis. The pursuit of a national identity-which aids in political representation and maintaining historical consciousness during change-has led modern Punjabis to make particular economic, social, and artistic choices. A casualty of this pursuit has been the disenfranchisement of dholis, who do not find representation despite the symbolic import of dhol to that national identity. Through the example of dhol's subtle appropriation, the book argues that the empowerment gained by bolstering Punjabi identity in the global arena works at the expense of people on Punjabi society's margins. At its core are the hereditary-professional drummers who, while members of society's low-status "outcaste" population, created and maintained dhol traditions over centuries. Exacerbated by a cultural nationalist discourse that downplays ethnic diversity, their subaltern ethnic identities have been rendered invisible. Recognizing their diverse ethnic affiliations, however, is only the first step toward hearing hitherto absent perspectives of individual musicians. As a work of advocacy, this book draws on two decades of ethnography of Indian, Pakistani, and diasporic Punjabi drummers to center their experiences in the story of modern Punjab"-- _cProvided by publisher.
530			_a2 _ub
650		0	_aDholi _xSocial aspects _zIndia _zPunjab.
650		0	_aMusic _xSocial aspects _zIndia _zPunjab.
650		0	_aDrummers _zIndia _zPunjab.
650		0	_aPanjabis (South Asian people) _xMusic _xHistory and criticism.
650		0	_aPanjabis (South Asian people) _xSocial life and customs.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3039289&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91446 _d91446
902			_a1 _bCynthia Snell _c1 _dCynthia Snell