000			05515cam a2200469Ki 4500
001			on1265461101
003			OCoLC
005			20240726105154.0
008			210828s2021 ne a ob 001 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dJSTOR _dOCLCO _dNT _dOCLCF _dDEGRU _dCAMBR _dYDXIT _dAUD
020			_a9789048544561 _q((electronic)l(electronic)ctronic)
020			_a9048544564 _q((electronic)l(electronic)ctronic)
050	0	4	_aN8180 _b.P678 2021
049			_aMAIN
245	1	0	_aPortrait cultures of the early modern Cardinal /Edited by Piers Baker-Bates and Irene Brooke.
300			_a1 online resource (392 pages : illustrations (mostly color)).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aVisual and Material Culture, 1300-1700
500			_aDescription based upon print version of record.
504			_a2
520	8		_aThe visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position.
505	0	0	_aCover -- _tTable of Contents -- _tAbbreviations -- _tAcknowledgements -- _tIntroduction -- _tCardinals and their Images -- _t1. Portraying the Princes of the Church -- _tPiers Baker-Bates and Irene Brooke -- _t2. The Early Modern Cardinal -- _tAn Historical Appraisal -- _tMiles Pattenden -- _tPart I. Individuality and Identity -- _tFlorence and Rome -- _t3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- _tBrian Jeffrey Maxson -- _t4. Dead Ringers -- _tCarol M. Richardson -- _tPart II. Divided Loyalties -- _tVenice and Rome -- _t5. The Role of Cardinals' Portraits in Venice -- _tSarah Ferrari
505	0	0	_a6. Role Playing -- _tAlessandra Pattanaro -- _tPart III. Collecting and Display -- _tPortraits and Worldly Goods -- _t7. Renaissance Cardinals and Pontifical Mules -- _tPhilippa Jackson -- _t8. Portraits as Symbols -- _tThomas-Leo True -- _t9. Portraits as a Sign of Possession -- _tArnold Witte -- _tPart IV. Post-Tridentine Piety -- _tThe Devout Cardinal -- _t10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- _tIrene Brooke -- _t11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- _tDanielle Carrabino
505	0	0	_a12. Miracle-Working Portraits of a Cardinal Saint -- _tMinou Schraven -- _tConclusion -- _tCardinal Portraits beyond Italy -- _t13. Portraying the Ideal Spanish Tridentine Prelate -- _tPiers Baker-Bates -- _tIndex -- _tIllustrations -- _tColour plates -- _tPlate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum((c) The Fitzwilliam Museum, Cambridge).
505	0	0	_aPlate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art ((c)National Gallery of Art, Washington). -- _tPlate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia ((c) Gallerie dell'Accademia di Venezia).Plate 4 -- _tPlate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia ((c) Gallerie dell'Accademia di Venezia).
505	0	0	_aPlate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani ((c) Scala). -- _tPlate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas,Venice, Santi Giovanni e Paolo, Sacristy ((c) Venice, Fondazione Giorgio Cini-Matteo de Fina).Plate 6 -- _tPlate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas,Venice, Santi Giovanni e Paolo, Sacristy ((c) Venice, Fondazione Giorgio Cini-Matteo de Fina).
500			_aPlate 6 Detail of Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, ((c) Venice,Fondazione Giorgio Cini-Matteo de Fina).
530			_a2 _ub
650		0	_aCardinals in art.
650		0	_aCardinals _xPortraits _xHistory and criticism.
650		0	_aChristianity and art _xCatholic Church.
655		1	_aElectronic Books.
700	1		_aBaker-Bates, Piers, _e5
700	1		_aBrooke, Irene, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3017090&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91420 _d91420
902			_a1 _bCynthia Snell _c1 _dCynthia Snell