000 03039cam a2200433Mi 4500
001 on1282593910
003 OCoLC
005 20240726105154.0
008 211104s2021 mdu ob 001 0 eng d
040 _aYDX
_beng
_erda
_cYDX
_dEBLCP
_dUAB
_dNT
020 _a9781421441542
_q((electronic)l(electronic)ctronic)
043 _ae------
050 0 4 _aPN2193
_b.B376 2021
049 _aMAIN
100 1 _aCermatori, Joseph,
_d1983-
_e1
245 1 0 _aBaroque modernity :
_ban aesthetics of theater /
_cJoseph Cermatori.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 0 _aHopkins studies in modernism
504 _a2
505 0 0 _aCover --
_tHalf Title --
_tTitle --
_tCopyright --
_tDedication --
_tContents --
_tIllustrations --
_tPreface --
_tAcknowledgments --
_tOn "Baroque" --
_tIntroduction: Envisioning an Orphic Modernism --
_t1 Overcoming Ascetic Style: Nietzsche and the Transvaluation of the Baroque --
_tAgainst Classical Rhetoric and Drama --
_tNietzschean and Wagnerian Theatricalities --
_tResentful and Affirmative Baroques --
_tDe Te Fabula Narratur --
_t2 The Matter of Spectacle: Mallarmé and the Futures of Theatrical Ostentation --
_tThe Drama of Silence --
_tHérodiade, "A Horrible Birth" --
_tBecoming Ornamental --
_tThe Theater of the Book
505 0 0 _a3 Landscapes of Melancholy: Benjamin, Trauerspiel, and the Pathways of Tradition --
_t"History Passes into the Setting"-Baroque Spatialization --
_tBaroque Allegory as Nonmimetic Theatricality --
_tThe Catastrophe in Permanence --
_t"Enter, fleeing" --
_t4 The Citability of Baroque Gesture: Unsettling Stein --
_t"To Mount It Up"-Baroque Citationality on Stage --
_tAllegorical Temporality --
_tFunctional Baroque Forms in Performance --
_tLast Act. /
_rWhich is a fact? --
_tEpilogue: Glancing Back, Reaching Forward --
_tNote on Translations --
_tNotes --
_tBibliography --
_tIndex --
_tA --
_tB --
_tC --
_tD --
_tE --
_tF --
_tG --
_tH --
_tI
505 0 0 _aJ --
_tK --
_tL --
_tM --
_tN --
_tO --
_tP --
_tQ --
_tR --
_tS --
_tT --
_tU --
_tV --
_tW --
_tY --
_tZ
520 0 _aBaroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
530 _a2
_ub
650 0 _aModernism (Literature)
_xBaroque influences.
650 0 _aDrama
_y20th century
_xHistory and criticism.
650 0 _aTheater
_xHistory
_y20th century.
650 0 _aAesthetics, Baroque.
650 0 _aEuropean drama
_y18th century
_xHistory and criticism.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2968576&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN.
_m2021
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c91405
_d91405
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell