000			03595cam a2200409 i 4500
001			on1250089048
003			OCoLC
005			20240726105153.0
008			210508s2021 ne a ob 001 0 eng d
040			_aEBLCP _beng _erda _epn _cEBLCP _dNT _dOCLCO _dP@U _dYDX _dUKAHL _dJSTOR _dSFB _dOCLCF _dDEGRU _dCAMBR _dHNK
020			_a9789048542925 _q((electronic)l(electronic)ctronic)
020			_a9048542928 _q((electronic)l(electronic)ctronic)
050	0	4	_aT395 _b.H664 2021
049			_aMAIN
245	1	0	_aThe home, nations and empires, and ephemeral exhibition spaces : _b1750-1918 / _cedited by Dominique Bauer and Camilla Murgia.
300			_a1 online resource (275 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aSpatial imageries in historical perspective
504			_a2
505	0	0	_aIntroduction: Ephemeral exhibition spaces and the dynamic of historical liminalities / _rDominique Bauer -- _tPanorama as critical restoration: examining the ephemeral space of Viollet-le-Duc's study at La Vedette / _rAisling O'Carroll -- _tAn ephemeral museum of decorative and industrial arts: Charles Albert's Vlaams Huis / _rDaniela N. Prina -- _tExpanfding interiors: architectural photographs of the Countess de Castiglione / _rHeidi Brevik-Zender -- _tThe land that never was: liminality of existence and the imaginary spaces in the Archbishopric of Karlovci / _rJelena Todorovic -- _tThe theatre of affectionate hearts: Izabela Czartoryska's Musée des monuments polonais in Puławy (1801-1831) / _rMichał Mencfel -- _tA burning mind, a dream space, a "fantastic exhibition" / _rInessa Kouteinikova -- _tAn ephemeral display within an ephemeral museum: the East India Company contribution to the Manchester Art Treasures Exhibition of 1857 / _rElizabeth A. Pergam -- _tJulia Margaret Cameron's railway station exhibition: a private gallery in the public sphere / _rJeff Rosen -- _tPaper monument: the paradoxical space in the English paper peepshow of the Thames Tunnel, 1825-1843 / _rShijia Yu.
520	0		_a"This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing." --
530			_a2 _ub
650		0	_aExhibitions _xHistory.
650		0	_aArt _xExhibition techniques _xHistory.
650		0	_aDisplay of collectibles _xHistory.
650		0	_aMuseum exhibits _xHistory.
655		1	_aElectronic Books.
700	1		_aBauer, Dominique, _e5
700	1		_aMurgia, Camilla, _d1977- _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2920558&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hT _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91346 _d91346
902			_a1 _bCynthia Snell _c1 _dCynthia Snell