000 | 03070cam a2200397Mi 4500 | ||
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001 | on1250089041 | ||
003 | OCoLC | ||
005 | 20240726105153.0 | ||
008 | 210508s2021 ne o ||| 0 eng d | ||
040 |
_aEBLCP _beng _erda _cEBLCP _dNT _dOCLCO _dP@U _dYDX _dUKAHL _dJSTOR |
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020 | _a9048542936 | ||
020 |
_a9789048542932 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aN4395 _b.E644 2021 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aEphemeral Spectacles, Exhibition Spaces and Museums : _b1750-1918. _c |
300 | _a1 online resource (302 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aSpatial Imageries in Historical Perspective Ser. | |
500 | _aDescription based upon print version of record. | ||
504 | _a2 | ||
505 | 0 | 0 |
_aCover -- _tTable of Contents -- _tIntroduction: Staging the Temporary: The Fragile Character of Space -- _tCamilla Murgia -- _tI: The Department Store -- _t1. "One Need Be Neither a Shopper Nor a Purchaser to Enjoy:" Ephemeral Exhibitions at Tiffany and Company, 1870-1905 -- _tAmy McHugh and Cristina Vignone -- _t2. Enclosed Exhibitions: Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames -- _tKathryn A. Haklin -- _tII: Spectacles -- _t3. Jardins-Spectacles: Spaces and Traces of Embodiment -- _tSusan Taylor-Leduc |
505 | 0 | 0 |
_a4. Parading the Temporary: Cosmoramas, Panoramas, and Spectacles in Early Nineteenth-Century Paris -- _tCamilla Murgia -- _t5. Portable Museums: Imaging and Staging the "Northern Gothic Art Tour" -- _tEphemera and Alterity -- _tJuliet Simpson -- _tIII: At the Intersection of Literature and the Built Environment -- _t6. The Elusiveness of History and the Ephemerality of Display in Nineteenth-Century France and Belgium: At the Intersection of the Built Environment and the Spatial Image in Literature -- _tDominique Bauer |
505 | 0 | 0 |
_a7. The "Phantasmatic" Chinatown in Helen Hunt Jackson's "The Chinese Empire" and Mark Twain's Roughing It -- _tLi-hsin Hsu -- _tIV: The Museum and Alternative Exhibition Spaces -- _t8. "Show Meets Science:" How Hagenbeck's "Human Zoos" Inspired Ethnographic Science and Its Museum Presentation -- _tStefanie Jovanovic-Kruspel -- _t9. The Last Wunderkammer: Curiosities in Private Collections between the Nineteenth and Twentieth Centuries -- _tEmanuele Pellegrini -- _t10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I -- _tNirmalie Alexandra Mulloli -- _tIndex |
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_a2 _ub |
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650 | 0 |
_aEphemeral art _xExhibitions _xHistory. |
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655 | 1 | _aElectronic Books. | |
700 | 1 | _aBauer, Dominique. | |
700 | 1 |
_aMurgia, Camilla, _d1977- |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2920557&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hN _m2021 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c91345 _d91345 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |