000			03640cam a2200385 i 4500
001			on1243554746
003			OCoLC
005			20240726105152.0
008			210327t20212021stk o 001 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dYDX _dNT _dOCLCO _dEBLCP _dJSTOR _dUKAHL _dUKOUP _dOCLCQ _dUKMGB _dMTH
015			_aGBC152948 _2bnb
016	7		_a020148675 _2Uk
020			_a9781474481410 _q((electronic)l(electronic)ctronic)
050	0	4	_aPR2976 _b.V375 2021
049			_aMAIN
245	1	0	_aVariable objects : _bShakespeare and speculative appropriation / _cedited by Valerie M. Fazel and Louise Geddes.
246	3		_aShakespeare and Speculative Appropriation
300			_a1 online resource (x, 254 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_aDescription based upon print version of record.
504			_a2
505	0	0	_aIntroduction : Bound in a nutshell - Shakespeare's vibrant matter / _rValerie M. Fazel and Louise Geddes -- _tPart 1. Disciplinary objects -- _tBeds, handkerchiefs and moving objects in Othello / _rSujata Iyengar -- _tThe collectible Ofelia : object-oriented feminisms and the un-human corpus of Q1's dispensaniac / _rMolly Seremet -- _tBitcoin, blockchains and the bard / _rRobert Sawyer -- _tPart 2. Media objects -- _t'Were I human' : beingness and the postcolonial object in Westworld's appropriation of The Tempest / _rL. Monique Pittman, Vanessa I. Corredera, Kristin N. Denslow, and Karl G. Bailey -- _tFinding ludonarrative harmony in the limited agency of Ophelia in Elsinore / _rAndrew Darr -- _tSympathise with the losers : performing intellectual loserdom in Shakespearean biopic / _rAnna Blackwell -- _tProsthetic properties : the materiality of race and gender in The Hollow Crown : The Wars of the Roses / _rEmily MacLeod -- _tPart 3. Human objects -- _t'Intermission!' : reading race in the objects of Key and Peele's 'Othello Tis My Shite' / _rShanelle E. Kim -- _tSight unseen : visualising variability through ontological representations in Macbeth / _rValerie Clayman Pye and Cara Gargano -- _tThe thing itself : performance and the celebrity text / _rLouise Geddes -- _t'The promised end' : Shakespeare and extinction / _rMichael Lutz.
520	0		_a"Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies." -- _cProvided by publisher.
530			_a2 _ub
655		1	_aElectronic Books.
700	1		_aFazel, Valerie M., _e5
700	1		_aGeddes, Louise, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2898021&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91298 _d91298
902			_a1 _bCynthia Snell _c1 _dCynthia Snell