000 | 01944cam a2200373Ki 4500 | ||
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001 | on1243537616 | ||
003 | OCoLC | ||
005 | 20240726105152.0 | ||
008 | 210327s2021 ne o 000 0 eng d | ||
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_aEBLCP _beng _erda _cEBLCP _dNT _dJSTOR _dOCLCO _dUKAHL _dYDX _dP@U _dYDX |
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020 |
_a9789048551712 _q((electronic)l(electronic)ctronic) |
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_a9048551714 _q((electronic)l(electronic)ctronic) |
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043 | _ae-gx--- | ||
050 | 0 | 4 |
_aPN1993 _b.S643 2021 |
049 | _aMAIN | ||
100 | 1 |
_aLoew, Katharina, _e1 |
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245 | 1 | 0 |
_aSpecial effects and German silent film : _btechno-romantic cinema / _cKatharina Loew. |
300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aFilm culture in transition | |
504 | _a2 | ||
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_aCover -- _tTable of Contents -- _tAcknowledgements -- _tIntroduction: Special Effects and the Techno-Romantic Paradigm -- _t1. Imagining Technological Art: Early German Film Theory -- _t2. Modern Magicians: Guido Seeber and Eugen Schüfftan -- _t3. The Uncanny Mirror: Der Student von Prag (1913) -- _t4. Visualizing the Occult: Nosferatu (1922) -- _t5. The Technological Sublime: Metropolis (1927) -- _t6. "German Technique" and Hollywood -- _tConclusion: Techno-Romantic Cinema from the Silent to the Digital Era -- _tBibliography -- _tIndex |
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_a2 _ub |
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650 | 0 |
_aSilent films _zGermany _xHistory and criticism. |
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650 | 0 |
_aCinematography _zGermany _xSpecial effects _xHistory. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2894619&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN.. _m2021 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c91283 _d91283 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |